DS9 Stories/News: Star Trek: Deep Space Nine – Crossroads of Time (Genesis/Mega Drive) (2)

Right, awesome, can I go there now? Fantastic!

ONE TRIP ALL THE WAY DOWN BACK TO THE DOOR LATER.

Finally I’m allowed inside the docking pylon to find out who’s going around beating up my technicians. Doesn’t look like this guy will be needing this gun any more, so I’ll hold onto it for now.

The SNES version looks pretty similar, though it seems to have been entirely redrawn. The lead designer actually apologised for this version saying it’s “a very poor port”, but to be honest it seems more or less the same so far to me.

This lift’s broken, but Sisko can climb up ledges like he’s the Prince of Persia, so getting to the top wasn’t a struggle. I wouldn’t want see what happens if he falls though.

Hang on, what’s this? This guy’s acting very suspiciously. I think I’m going to have to go over and have a word.

Son of a biiiiiiiiiitch…

EVENTUALLY.

Okay, I had to climb back up a few times, but eventually I was able to subdue the perp and confiscate his timed explosive. With seconds left on the clock I flush it down the convenient ‘emergency ejection tube’ on the wall next to me.

The bad news is, all those other green dots showing up on my radar are bombs too, and the timer’s running.

Hah, I was ready for you this time.

These guys are a pain in the ass, but easy to take down if I’ve got my phaser equipped and I’m paying attention. The trouble is that half the time I’m not paying attention, I’m looking at my radar trying to find the next bomb.

Awesome. I can finally relax for a minute and listen to this semi-decent password screen music. Sadly SNES players don’t get any password music.

And I’m back in the game. This time those sneaky enemies have hidden the grenades, so I have to switch to my tricorder to sweep the area and make them appear as orange diamonds. Actually screw that, I think I’ll be fine just going off the green dots on the radar.

The trouble is that whenever I pick up a bomb I get mere seconds to flush it, and the ejection tubes don’t have any radar dots

Using the computer terminals brings up a map of the level, and holy shit it is big. A giant maze of lift shafts and dead ends, and this isn’t even all of it. The map scrolls.

Those purple things are the ejection tubes I’ll have to run to each time I find a bomb. There’s no way I’m going to remember where they are though.

DS9 Stories/News: Some ‘Deep’ Talk with Alexander Siddig (3)

Cont.

Cairo Time

Jordan Hoffman: So let’s talk about the new movie Cairo Time, which I think is the first time you’ve played a romantic lead, is that correct?

Alexander Siddig: It is indeed, it is. Since I was at school, that’s the first time I’ve played a romantic.

Jordan Hoffman: How much fun is it to woo the hearts of audiences like that? To lay on the charm thick for the sake of the audience?

Alexander Siddig: It’s pretty great. It wasn’t so much, I have to confess I wasn’t really thinking of the audience when I was in Cairo but I – to gaze into that lady’s eyes [Patricia Clarkson] is quite thrilling.

Jordan Hoffman: Your character sort of welcomes this woman into the Egyptian culture and the city of Cairo; how much familiarity did you have with Cairo prior to making the film?

Alexander Siddig: Well, you know it’s one of the places that’s sort of been in my reference library all my life in the sense that I was born in the Sudan which is the neighboring country and up until – I mean forever we’ve had a treaty with Egypt and immigrants come and go; my whole family lived in Cairo for years. And so it was a familiar place and I’d been there in the 80’s as a kid really, so I knew my way around and I felt very comfortable and relaxed there. So it was easy to make the little leap from a Sudanese man to and Egyptian man which I had no problem doing.

Jordan Hoffman: So you didn’t have to think it too much.

Alexander Siddig: No, I really didn’t. It’s a really honest city for all its evils. It can be quite filthy – that’s not exactly an evil is it by world standards. But it lays itself out to you as a tourist. London for example, is an impossible city. You need to know people in London to find out where things are and what’s going on and you can’t make friends here unless you were kind of born here. So, Cairo is much more friendly and available to people.

Jordan Hoffman: So when you were shooting this film, it was a Canadian production, but it’s still a large western production and there isn’t too much of that on the streets of Cairo. How were you treated by the general population?

Alexander Siddig: They were completely puzzled by us. They were like, ‘what the Hell is that?’ they just couldn’t quite make out what weirdness we were doing. This was bigger than an ordinary video camera, we weren’t just saying hi in front of a landmark we were doing scenes, so when they could they would sort of jostle into the frame to get involved. Which was fine on some levels, but as soon as they started looking into the camera and stuff it was a total nightmare.

Jordan Hoffman: So that shot of nearly getting hit by a motorcycle, was that actual?

Alexander Siddig: We really did – well it was a stunt, but the interesting thing was that the stunt guy had never done a stunt in his life – was not a stunt man. He literally tried to run her over. And I must have buried my nails deep into her arm to get her out of the way she was absolutely – she was shaking afterwards. She wasn’t used to that.

Jordan Hoffman: Was it all Egyptian crew? Or was it Canadian crew?

Alexander Siddig: It was a beautiful mix actually. It was a whole jumble of different people. The Egyptians were brilliant, I mean really brilliant; and kind of cool and cosmopolitan and wanted to take us all out to cool places to hang out in the evenings. Egyptians – thank God you know Cairo is not a dry city and is not massively fundamentalist.  It’s got fundamentalist aspects, but you can still have a really swingin’ time.

Bashir and O’Brien

Jordan Hoffman: Who from the old days that you don’t get to see do you like to hang out with the most at conventions?

Alexander Siddig: You know I love hanging out with Nicky deBoer.

Jordan Hoffman: I see.

Alexander Siddig:  She is just hilarious; great, great girl. And um if I see Colm Meaney we’ll have a drink and bitch at each other. That’s all we do. I realize looking back at my history with him, I went out with him twice a week every week for seven years – drinking. Boy, he can pack em away.


Jordan Hoffman: I would imagine.

Alexander Siddig:  And all we did was fight. And I guess that’s what they did on the show too. But we fought in real life all the time. He would set me up, he’d take me to Irish bars where they hated English people. I would think they were being racist about the fact that I’m black and they weren’t. The just hated the English people, they would just hear my accent and they’d – and he just laughed his head off.

Jordan Hoffman: Did you ever actually play darts, though, is the real question.

Alexander Siddig:  No. No. That would be very weird.

Jordan Hoffman: There needs to be a separation between art and life.

Alexander Siddig:  Yes, because that was the only separation, the dart game.

DS9 Stories/News: Goodbyes

Source:
http://deflipside.com/?page_id=1693

by Christopher DeFilippis

DeFlip Side, Vol. 1, No. 6
(First Appeared: June/July, 1999;
First Light E-zine, Issue #82)

This is going to be short and sweet, folks. My original plan for this month’s column was to bid a fond farewell to Deep Space Nine, until recently the best show on television. I was going to do an in-depth review of the final episode, exploring whether or not it brought the Dominion war arc to a satisfying conclusion, as well as if it proved a fitting send-off to the best Trek series ever; my swan song to the swan song, so to speak. But those ne’er do-wells at Paramount took the wind out of my sails. After watching the finale, I came to only one inescapable conclusion: It’s not over.

After all, Sisko left his baseball behind.

Of course, there’s also the question of his unborn child, his career in Starfleet, a new Defiant that needs to be broken in, an unfinished real estate transaction on Bajor and his promise that he would return “in a year from now or yesterday.” But the baseball is the cincher. He doesn’t leave home without it, much less take up permanent residence in Prophet limbo. We haven’t heard the last from him or the rest of these characters. I don’t know when or in what format, but we’ll see them again. Bet on it.

This fact colors my opinion of the two-hour series finale. As a final good-bye, it would have left too many loose ends. But as a “so long for now” it was perfect. It brought enough closure to satisfy, but egged us on just enough to keep our expectations for a return simmering on a low frame somewhere in the back of our brains. Like Kira and Jake, we’re all gazing out of a portal on the Promenade, waiting patiently to see what happens next.

I’ll spare you all a long-winded essay on what I liked and why. Different parts of the finale will have appealed to different people for different reasons. But there is no call for excess exposition. After all, we’re not talking about “Mirror Image” here (the legendarily confusing finale to the TV series Quantum Leap). Instead, I’ll be as succinct as possible:

The Good Stuff:

  • The death of Kai Winn.
  • The kick-ass battle scenes.
  • Kai Winn’s unfortunate demise.
  • Garak’s revenge on Weyoun.
  • Barbecued Kai.
  • Nog’s promotion.
  • Pah Wraiths 1, Kai Winn 0
  • Kira’s ironic role in the liberation of Cardassia.
  • Kai Winn all gone.
  • Ezri’s nearly exposed breasts.
  • Bye bye Kai.
  • Sisko plowing Dukat over the cliff’s edge in a flying tackle.
  • The old bag bites it.
  • Martok’s self-satisfied belt of blood wine while standing on bloated enemy corpses.
  • She’ll finally shut up.
  • The faint hope that once O’Brien accepts a teaching position at the academy, he’ll attain some kind of rank (Where does “Chief” fall, anyway? As far as I can tell, it’s somewhere between ensign and lieutenant. So Nog outranks him now? Not a proud legacy for more than a decade in uniform…).
  • Winn-kabob.
  • Damar’s last stand.
  • Burn Winnie burn.
  • Worf’s new-found honor and influence with the Klingon council.
  • Are those Kai burgers I smell?
  • Bashir finally gets some.
  • Armagedd-Winn.

The Bad Stuff:

  • Vic Fontaine’s schmaltzy send-off.
  • A too-short stand-off between Dukat and Sisko that smacked of the
  • Kirk/Mitchell showdown in “Where No Man has Gone Before” (“Get on your knees and pray to me, James”).
  • A tuxedo-clad Odo melting into the Great Link.
  • The use of stock footage of a Klingon getting blown down a corridor on a wave of fire (from The Undiscovered Country, I think).
  • Worf’s flashback sequence that held not a smidgen of Jadzia memories. (I guess Paramount didn’t want to have to pay residuals to Terry Farrell.)

 

As you can see, the good clearly outweighed the bad. I think the very best thing about the episode, and the series over all, was that I could never tell exactly how things would turn out. And even when I did have a pretty good idea of where things were going, the characters would reach their destinations via completely unexpected routes.

This rule holds true for the future of Deep Space Nine. It’s a foregone conclusion that Sisko will come back. Just watch; he’ll soon get tired of playing pinochle with Wesley on the astral plain and shuffle back into his mortal coil for a return to his old life. But to what effect? Will he be considered a lord on Bajor? Will his new found Prophet wisdom cause a rift between him and his all-too-human friends and family? Will he have hair? I can’t even guess at the possibilities.

Of course, we’re most likely to be hearing from Worf the soonest. I just hope the powers that be use the opportunity they’ve created to full effect in the next movie. Worf’s position as Federation ambassador to Qo’noS lends itself to a sweeping story that could encompass the Federation and Klingon Empire and propel the franchise forward, something it sorely needs after the disaster that was Insurrection.

The one thing I do not want to see is a feature length film that combines the Next Gen and DS9 casts. The writers have a tough enough time as it is finding useful roles for the entire Enterprise-E ensemble with each outing. If they tried to add the DS9 crew as well, the screen would be packed tighter than Seven of Nine’s Wonder Bra, but with a far less marvelous result. I’ll pin my hopes on a small-screen reunion that will give the DS9 characters and plot lines free reign.

In the meantime, I guess I still have Voyager to give me my Star Trek fix, though it’ll be like going from heroin to methadone. Now that the DS9 writers are freed up, maybe they can help put Voyager on the right track and raise it to the standards we’ve come expect from Star Trek. But I’m not gonna hold my breath. I don’t have to anyway.

When DS9 premiered, I still had a maniacal hatred of new Trek. I wasn’t sucked over the Next Gen event horizon until Generations hit the theaters. And by the time I got into DS9, it was well into its run. So I ask you to pray with me now that channel 11 in NY soon starts rerunning the series from the beginning. There are three years worth of episodes I’ve never seen. It’s a little something extra to look forward to.

See Pop? Sometimes it works to your benefit to be a day late and a dollar short…

DS9 Stories/News: Of Trek and War (2)

Cont.

While the story arc itself had its problems and the series as a whole did have its flaws (overuse of the Ferengi as comic relief, a very weak seventh season with a rushed finish, poor to non-existent exit strategy for the Dominion War story arc, etc), I think the Dominion War worked overall and helped define Deep Space Nine as a series, for better or worse.

Dominion War

Dominion War

By contrast, the Xindi storyline in Enterprise was a good idea that was not as well executed as the Dominion War… but that describes many of the ideas Berman & Braga have come up with over the years. To begin with, the concept itself was really a clone of the Dominion War done to drive up Enterprise’s lackluster Nielson ratings. Created as a prequel by Rick Berman & Brannon Braga (both of whom had lost their touch by then, in my not-so-humble opinion), Enterprise wasn’t doing very well as a series. This was largely due to poor stories that either lacked internal continuity (on an episode-by-episode basis) or pissed all over established continuity for either the series or the franchise (by either introducing certain concepts from TNG way too soon in the timeline or by introducing potentially major threats to Earth in one episode, then completely ignoring them and the story-telling opportunities they could have raised in later episodes by never mentioning them again and zooming off to some other would-be threat). Remembering the brief viewer increase caused by the Dominion War in DS9, Berman & Braga decided to bring their own war into Enterprise with the Xindi.

Xindi Weird Stuff

Xindi Weird Stuff

Xindi Weird Stuff

Xindi Weird Stuff

While that might have been a good idea, the concept suffered problems from the start. To begin with, the entire Xindi arc wasn’t its own story; rather, it was just one season-long subset of a larger conflict that was shown, but never explained in the series: namely, the Temporal Cold War. No real details were ever given as to what the nature of the Temporal Cold War really was (a cold war across time itself, we assume?) or who first started it. We know some of the factions, but not all, nor do we truly understand their motives, beyond the old “Saturday morning cartoon villain” m.o. of “destroy the Federation!” that gets so cliché. Like many concepts from Berman & Braga, it was a great concept poorly executed and given little true depth. We saw precious little of this concept in Enterprise (aside from the occasional Suliban episode or the odd appearance by either “Future Guy” or Daniels, none of whom give nearly enough exposition), and what we did see was rather lackluster. Originally, this concept was expressed through a rather poorly-conceived race called the Suliban (which, guessing by their name, I assume were supposed to be some sort of heavily veiled parody of the Taliban?), though that didn’t quite pan out the way Berman & Braga hoped. With more viewers slipping away, they rushed the Xindi storyline into production.

Again, it began with a great concept: some faction in the Temporal Cold War called the Sphere Builders (really, you couldn’t give them a better name than that?) attempted an invasion of the Federation in the 26th Century, but the Federation repelled them. Instead of retaliating in that era, the Sphere Builders attempted to prevent the founding of the Federation. (As time travel expert M.J. Young would attest to on his website about temporal anomalies, such a notion has its own problems, but Star Trek has always played rather fast and loose with the concept of time travel, anyway.) To do this, they provided the Xindi with trumped-up evidence that the Federation would one day cause the destruction of their homeworld. (So, they’re fighting a war over something that hasn’t happened yet based on evidence “from the future” that could easily be manufactured? We can manufacture war photos using Photoshop right now. What kind of photo/video/hologram-doctoring technology would they have in the 22nd Century? Surely the Xindi thought of that!) This managed to get the Xindi moving in high gear, and they initiated a conflict against humanity – the Federation’s major founding member – by attacking Earth in “The Expanse“, Enterprise’s Season 3 opener. Enterprise gets recalled from its mission of exploration (which, I’m sorry to say, really hadn’t been going very well, as the crew of Enterprise either nearly got their ship destroyed each episode or spent as much time as they could pissing off the Vulcans, who – for whatever reason – were written to be colossal uptight assholes during the series) and assigned to head for a massive area of space called the Delphic Expanse in search of the Xindi’s homeworld. Once there, they would either parlay with the Xindi’s leaders and try for peace, or kick their asses and come back home victorious.

This war lasted all of one season (when has an actual war ever lasted only one year? Hell, Voyager took seven damn years to cross the Delta Quadrant – a feat they only barely accomplished by cheating several times via numerous space/time “shortcuts” – and the NX-01 Enterprise, which is technologically inferior to even the [/i]shuttlecraft[/i] of Kirk’s day, was able to cross this vast expanse of space in one year and return home in less time than that??). Some of the Xindi sided with our heroes; the others said, “Fuck it!” and launched a superweapon at Earth, which our heroes then had to stop in the Season 3 finale “Zero Hour“. Since the producers weren’t quite certain if Enterprise would return for Season 4 or not, they tried to bring all the major plot threads they had woven into the series (what few plot threads they actually bothered with, like the switch from a potential Archer/T’Pol pairing to a much more intriguing T’Pol/Tucker match)… Then they completely threw a giant WTF into it by ending the episode on a shot of an alien in a Nazi uniform. (I kid you not! Click the damn link and see for yourselves already!)

To be honest, Enterprise as a series bored me to tears (except for the occasionally interesting or even good episode, like “Regeneration“), and the Xindi storyline – while offering a few intriguing tidbits here and there (like ““) – was something I was rather blasé about altogether. To start with, I had grown weary of the emotional highs and lows of the Dominion War, so another war in an entirely different Trek series – especially when that war wasn’t the Earth-Romulan War we had been promised so many times – just didn’t hold as much appeal to me. I had just come to terms with the ending of Voyager (good or bad), and I wasn’t quite ready to commit to Enterprise the same way I had for TNG, DS9 and Voyager. Moreover, I had just started watching a different Roddenberry-based series – Andromeda – and had grown quite fond of it. The episodes I had seen of the Xindi war were very reminiscent of both the good and bad aspects of the Dominion War with a few interesting (and many not so interesting) twists. The writing, unfortunately, was still done by Berman & Braga (way past their prime, if you ask me) and the characters were still as… well, dull as they had been since series launch.

In Season 4, they left it to new Enterprise scribe Manny Coto – Brannon’s & Braga’s replacement, as they were refraining from writing duties (yay!) – to finish out the faux cliffhanger they created with the silly Season 3 finale “space Nazi” end scene. This he did in the two-part “Storm Front“, which explained how aliens had gone back in time and aided Nazi Germany, changing the timeline and enslaving America, and how our heroes had wound up back in the 1940s and blah blah blah… Normally, I enjoy alternate histories, but these two episodes stretched the concept beyond credibility.

After this horrid start, Manny Coto gave us a kick-ass final season of Enterprise, as (unlike Berman & Braga) he actually had a little something called talent. By then, however, the damage to the series had been done by Berman & Braga, and not even the Xindi conflict or the talented Manny Coto’s intriguing fan-wank scripts loaded with awesome original series references could save it. Enterprise was cancelled. The Earth-Romulan War plot they kept promising us and building up to? Never happened. As interesting as portions of the Xindi conflict were, maybe they could have focused on the Earth-Romulan War instead? *sigh*

To sum: Dominion War good, Xindi War so-so.

Anyway, that’s my two cents on the issue. Apologies for both the length of the post and the time which I posted it. (I hadn’t gotten to see my sister on her birthday, so I was taking her around town last night to make up for it.) What’s your take on the whole mess?

DS9 Stories/News: Deep Space Nine’s Autographed Pictures

Michael Dorn as the Klingon Worf, were a regular in all of The Next Generation, and joined Deep Space 9 in season 4.

Casey Biggs who played Damar in Deep Space 9 brought some pictures that Nana Visitor (Major Kira) had signed, and being a fan of her, I had to get me one of those!

Vaughn Armstrong, in all the roles he’ve played on Star Trek, so far it’ve been 14!! The most for a single actor.

Robert O’Reilly was the man behind the Klingon “Gowron” in Star Trek: The Next Generation, and Deep Space Nine.

Patrick Kilpatrick have had at least three different roles in both Star Trek: Voyager and Deep Space Nine.

Source:
http://www.kennl.dk/pictures/Galileo7/Loot/loot.htm

Nana Visitor, the actor who portrayed Kira in Star Trek: Deep Space nine.

J. G. Hertzler is the Klingon Martok in Star Trek: Deep Space nine.

The Ferengi Family Hour, is a show preformed by three actors from Deep Space Nine, and a member of the staff (Lolita Fatjo).

Chase Masterson who played Leeta in Deep Space Nine. This is the cover from a CD she have released.

Mark Allen Shepherd plays the character Morn on Deep Space Nine.

The Auction

They had an auction where it was possible to bid on different items, from signed pictures of the whole cast of The Original Series, to a few props that had been used on the show, like Captain Janeway’s communicator (which was very expensive!). I managed to get two items on the auction, one was a autographed picture of J.G. Hertzler as the Klingon Martokin Deep Space Nine. Unfortunately it didn’t scan very well, so I can’t put it up here for you to look at.

The second item I acquired was a synopsis to the Deep Space Nine episode Shadowplay. It contains a two page description of the episode, and a sheet with three pictures from it as well. One of the pictures is signed by Cirroc Lofton, across the character he played on the show (Jake Sisko). Again you can click on the image to view a larger version.

Page one of the synopsis.

Page two of the synopsis.

Pictures from the episode.

This is the picture that was in the package with the synopsis to the Deep Space Nine episode Shadowplay, that I bought on the auction at the convention.

If you move the cursor over the three pictures, you can read a more detailed description about them. And notice that the top right photo is signed my the actor Cirroc Lofton.