DS9 Stories/News: The Best Quotes Series/ Jadzia Dax

“I know, I know, it’s tough to have a man-to-man discussion with a woman.”

“Tough guys, a little pressure and they buckle”

“No staring at her cleavage”

“I’ve always found anomolies to be very relaxing, it’s a curse”

Lt. Commander Worf: Very well. Room service.
Lt. Commander Jadzia Dax: Really?
Lt. Commander Worf: Really.
Lt. Commander Jadzia Dax: Oh, that was easy.
Lt. Commander Worf: Did you want to fight over it?
Lt. Commander Jadzia Dax: No, it’s just, I didn’t expect you to surrender so quickly.
Lt. Commander Worf: Surrender?
Lt. Commander Jadzia Dax: Bad word.
Lt. Commander Worf: Very bad.

Worf: I have a sense of humor. On the Enterprise, I was considered to be quite amusing.
Lieutenant Commander Jadzia Dax: That must’ve been one dull ship.
Worf: That is a joke. I get it. It is not funny, but I get i

Lt. Commander Worf: Of course, our tricorders will be useless from now on.
Lt. Commander Jadzia Dax: There you go again – looking for the cloud in the silver lining.
Lt. Commander Worf: I am not complaining. I look forward to walking through the jungle without a map and no idea what lies ahead.
Lt. Commander Jadzia Dax: Well, the funny thing is, you probably are

SISKO
Major, I gave you a direct order.

MAJOR KIRA NERYS

Court-martial me.

 

SISKO

I can’t. You’re not in Starfleet.

JADZIA DAX

[glaring at Sisko and Kira] If I were your superior officer, I’d court-martial both of you.

Lt. Commander Jadzia Dax: [scanning the stone tablet found at B'hala] I had a pretty good idea what this was the minute I laid eyes on it… That confirms it: it’s a slab of stone with some writing on it!

DS9 Stories/News: Star Trek: Deep Space Nine – Crossroads of Time (Genesis/Mega Drive) (4)

Oh right, I forgot about this bit. I have go systematically speak to every NPC on the station until one of them says something useful, then go do it all over again until one of them finally lets me go on a mission.

LATER.

Are you the one I’m supposed to be talking to now? No? Right, okay, moving on.

LATER.

AAAAAGGGGHHHH, this is driving me crazy!

EVENTUALLY…

Finally they let me have a little more gameplay! This time I’m flying a spaceship through a wormhole. I’m tasked with flying up, and sometimes down, to avoid hitting the… glowy strands of blue.

I’m sure this doesn’t actually go on for two hours, but that’s what it felt like.

Then I get to do five minutes of shooting against some asteroids and some poor ship that doesn’t fire back, and it’s back to the station.

And then it’s back to running around. Talking to every damn NPC. Again.

I know it’s a Star Trek game and everything, but I really wouldn’t have minded if there was less talking and more gameplay. Don’t get me wrong, if (for instance) Bethesda had actually made that Star Trek RPG they were thinking about before deciding they loved Fallout more I’d be all for talking to those NPCs. But this is just annoying.

LATER.

Level three at last!

I’m free, I’m finally free! Free to jump around these shitty looking wooden beams covered in thorns and evil fruit that jumps off and tries to kill me!

Oh fuck it, I’m just going to walk.

And then three steps later I fall down an invisible underwater pit and instantly die.

They’re putting me all the way back here again? Seriously? You know, if I’d started back at the beginning of the wooden beam planet I probably would have kept playing, but there’s no way I’m going through this NPC scavenger hunt again.

And then they never made another Star Trek platformer again. I hope.

Next game!

http://superadventuresingaming.blogspot.com/2011/12/star-trek-deep-space-nine-crossroads-of.html

DS9 Stories/News: Some ‘Deep’ Talk with Alexander Siddig (1)

Source: http://www.ugo.com/movies/alexander-siddig-interview

We chat with one of Sci-Fi’s greatest doctors about DS9 and his new indie hit Cairo Time.

By Jordan Hoffman May 6, 2010

On Being Bashir:

Jordan Hoffman: Before we talk about your new indie Cairo Time, let’s talk about the greatest television series in the history of time, Star Trek: Deep Space Nine. It’ll always be the greatest and, for better or worse, no matter where you go we will always love Dr. Bashir and his adventures. The show has been off the air for -

Alexander Siddig: A decade.

Jordan Hoffman: Over a decade.

Alexander Siddig: Yeah, a decade and then some.

Jordan Hoffman: I’m just curious to know, now that you’ve got a lot of time behind it, what it’s like if you’re flipping channels or somebody calls you Dr. Bashir on the street?

Alexander Siddig: You know, I got over the whole cool stage of trying to pretend I hadn’t anything to do with it and acting like ‘sci-fi sucks,’ which I immediately went to when I finished the show. Because I was blasé, I needed to distance myself from it to get a career going. But I grew up there; literally from my mid-twenties to my early thirties and it’s home. And I still do, anytime there’s a show that reminds me of it, in structure – I’m doing a fantasy show right now with dinosaurs only because it’s a similar kind of thing, because it’s relaxed so I’m doing two seasons worth of being sort of one of their guys on one of their shows.

Jordan Hoffman: This is Primeval, yes?

Alexander Siddig: Yes, and kids – my son who’s thirteen; everybody actually loves it – it’s a family show but my son who’s thirteen just made a ton of friends at school because I’m doing that show. And I will always have a soft spot, as long as I live, for doing crazy, geeky sci-fi shows. And I hope to goodness that people keep offering me them because I love them.

Changing the DNA:

Jordan Hoffman:  I’m curious, was there ever one episode where you got the script and were just like, “I’m sorry, I don’t know what the hell they’re talking about.”

Alexander Siddig: Yeah, there was an episode where they gave me a genetic modification. (Dr. Bashir, I Presume Season 5, Episode 16)

Jordan Hoffman: Oh, well that wasn’t an episode that was a major change in your character!

Alexander Siddig: But it arrived, I didn’t know about it on Tuesday, and on Thursday the script arrived – we started shooting on Friday. I was so shocked. You know you get the impression that maybe the producers sit down and talk about strategies and character arcs with actors but this thing came out of the blue and pissed me off so royally. It was a reaction to the fact that the character was genuinely unpopular in the early days. Because he was not fancy; I mean this is a time where 90210 was at the top of the charts in American TV and this guy was so not the hunk, he was the anti-hunk. He was the -

Jordan Hoffman: He was a man of science! That’s what he was!

Alexander Siddig: He was a man of science; he was like half good looking, rubbish at pulling girls. I mean it was all the wrong kind of archetypes. And so they kept trying to do things to make it happen. Eventually they did the Bond thing (reference to Our Man Bashir) – they did the Bond thing before that actually. And that kicked it off. I have to say that I’m still pretty angry. Well, not angry . . .

Jordan Hoffman: You have a craft, and you fill out a back-story of the character and you work at it for three years, four years and one day they walk in and say “guess what, you have this secret you’ve been keeping from everybody”.

Alexander Siddig: Exactly. And everything you’ve done could have been completely different had I known.

Jordan Hoffman: So did you go to the producers and voice your displeasure or just roll with it?

Alexander Siddig: I did it the only way that an actor can.  I completely destroyed the lines that they gave me regarding the situation. Every time something came up that was to do with being kind of Data-esque – I mean, I couldn’t get away from the fact – I thought I was being a Data, which is what they wanted to do, they wanted to switch the characters from all the shows, which they ended up doing with Voyager -

Jordan Hoffman: Which may have been a problem for that show. . .

Alexander Siddig: Well, it was a bit cynical at the end of the day. But I just fluffed the lines; well I didn’t fluff them completely I literally pinned the lines on the back of someone’s shoulder once, reading them. I wasn’t bothered even to learn them. I just pinned them around the office as if they were lines needed for daily modification. And they got the message and dropped it kind of.

Jordan Hoffman: Okay, so maybe they scaled that story arc back a little bit?

Alexander Siddig: They did.

DS9 Stories/News: The Magic Of Star Trek Deep Space Nine: Ritual Magic and The Storyteller

Source: http://bajorron.blogspot.com/2012/02/magic-of-star-trek-deep-space-nine.html

The Sirah and the Dal’Rok:
Deep Space Nine’s First season episode The Storyteller is an interesting one for several reasons. Characterwise, this is the first episode which sows the seeds for Bashir and O’Brien’s future friendship. The main storyline happens on Bajor, but rather than showing us a Bajor under the guidance of the Prophets, it depicts a rural Bajoran village where perhaps older customs survive of what could be called a more Pagan past.
The storyline in brief: Bashir and O’Brien beam down to a village which is in trouble: it is under attack from a creature called a Dal’Rok and the only way to fight this entity is under the leadership of the Sirah, a Storyteller. Bashir and O’Brien witness an attack and the defense, upon which the Sirah collapses, but not after naming O’Brien as his successor. The next evening, the Dal’Rok returns and O’Brien sets out to fight it as he has seen the Sirah do it, but he fails in his attempt. Then Hovath, the young original apprentice Sirah takes over and succeeds in chasing off the entity and is thus appointed as the new Sirah, letting O’Brien off the hook.
The Sirah in action:
This story has a number of interesting Ritual Magic concepts weaven into it. For example: why does O’Brien fail? There are several reasons for that. Yes, he does not know the entire story, although that seems hardly necessary: all we see the Sirah and Hovath do is tell the villagers that they can defeat the creature. But in their cases, they speak with conviction and in magic as well as anywhere else, Words have Power proportional to the conviction with which they are spoken. Magic is not about ‘just speaking the right words and then something will happen, Harry Potter style’, it is about giving words as much power as possible, and that power comes from the conviction of the speaker and from his or her energy. We see O’Brien struggling to speak out the words while he himself barely believes it is going to do any good (nicely played by actor Colm Meany as well!). And his words dissipate into thin air, nothing happens, the magic does not come about and the Dal’Rok keeps attacking.
Incidentally, what is this Dal’Rok? We are informed that the tricorders do not register anything, yet we see something happening, and what is more, we see some attacks that are convincingly real. So what is going on here? My guess would be that we are dealing here with a thought form that has gained a more or less corporeal existence. Probably as a result of repeating this ritual over and over again for many years- a sure recipe to increase the power!- the image has gained so much energy that not only has it become visible to outsiders, it is also found to be interacting with the material environment. Our magical literature abounds with examples of the very same thing: elementals, golems, homunculi, etc. all “conjured” up by the imagination and subsequently energized to such an extent that it gets a “life of its own”.
Hovath (played by Lawrence Monoson)
Hovath (played by Lawrence Monoson):
The fight against the Dal’Rok indeed looks very much like a time-honored ritual, with certain fixed stagesin it, the use of certain words of power and with a more or less hierarchical structure: it is the Sirah and the Sirah only who leads this ritual and is able to direct the energy of the villagers into a concerted defense against the Dal’Rok. He is the High Priest in what looks suspiciously like a ritual to reinforce the village identity by defeating a common foe. In order to become Sirah, a candidate has to undergo a test: he (or she?) should be able to direct the ritual and direct the power single-handedly. Miles O’Brien clearly fails at this test: he does not have the necessary training, he does not have the faith and as an outsider he is also not connected to the village’s group mind. Hovath is and has all those things, so at the end we see him take charge of the ritual and bringing it to a good end, thus finalizing his own initiation as a Sirah. Which brings a final question to mind: what if the old Sirah had staged all this as an initiation ritual for his successor, with O’Brien as the unknowing catalyst? We’ll never know…

DS9 Stories/News: Birthday Alert – Colm Meaney’s 3 Day Birthday Special

Cont.

Julian Bashir/Miles O’Brien

http://ship-manifesto.dreamwidth.org/19822.html

“The relationship between Bashir and O’Brien is the best relationship… the best friendship in the history of the franchise.”
Ira Steven Behr, Season Six dvd set, Crew Dossier: Julian Bashir

In the beginning, Bashir and O’Brien seem to be very different men, but over the course of the series, their friendship builds similarity upon similarity. This relationship is one that deepens moment by moment, a relationship that’s about building up trust and hope, about turning a somewhat faltering beginning into one of the deepest and strongest relationships that we ever get to see on Trek.

A. The Guys:

To know Miles O’Brien, you have to start with basics. He’s a good guy, a family man, someone who couldn’t possibly have any deep, dark secrets. But he’s much more than he seems on first glance (a common theme in DS9). He’s a soldier as well as an engineer. He’s done what he’s had to do, and he’s made himself content with what he has in his life. Miles has been through many dark nights of the soul, but his strength of will and his heart have carried him through it all.

Julian Bashir seems simple in the beginning, too — he’s the brash young doctor with too many brains and not enough sense. But as the years pass, his bravado is shown to be true bravery, and his arrogance to be as much façade as truth. He chose to be a doctor, chose to make saving lives his life’s work. He chose to work not in the heart of the Federation, but on what he thought would be on the outskirts, what he assumed would be an unimportant space station. To help and to hide, those were the twin goals of Julian’s life, and as time passed, they became more and more irreconcilable.

What I love about Bashir and O’Brien is that their closeness grows out of the characters and the story. We’re there for every important step of that relationship. Interestingly, even from the very first, long before they played war games together in the holodecks, their relationship is defined by war — their first exchange is O’Brien asking Bashir if he knows his history of the Border Wars and of the massacre of Selik III. We learn at some point that O’Brien was the ‘hero of Setlik III’, and this may be the moment when Bashir connected that O’Brien to this one and got his hero worship trigger tripped.

Another thing that probably should be mentioned is the sexual orientation question, i.e. Miles is married and Julian clearly likes the ladies. What’s up with the gayness, yo? To start with the easiest one first, Julian is the most-slashed character in DS9, mostly with Garak, but also with… interesting intra-Trek crossovers. This may be in part because Julian comes across as open to anyone who’ll listen to him talk. That sounded nicer in my head. He clearly has a normality thing, but since there’s no big “Gosh, Gay People, they’re so weird” episode, I’m going to take it as a given that people have grown past the current prejudices. In order to make room for new ones, I’m sure, but still. So, Julian isn’t really a problem.

Miles, on the hand, is married with kid(s) for his entire run on DS9, and leaves DS9 (and Julian, as the show itself presents it) on his wife, Keiko’s, urging. In fact, much of her on-screen time is taken up with how she doesn’t fit and doesn’t really belong on DS9. Eventually, a choice had to be made, and considering the O’Brien character, the choice could not be other than it was — it was to Keiko and his children that his first loyalties must and should lie. Despite the seeming inevitability of his choice, the show itself does, at times, clearly set up a comparison between Julian and Keiko.

Part of the problem is that we rarely get to see the sympathetic side of Keiko — both Miles and Julian are main characters, so the show spends quite a bit more time on them and on their friendship and their growth. And while we often get to see Miles say that he loves Keiko, it’s much rarer to hear Keiko’s side of things — most of time when she’s on the show, it’s because the writers are highlighting a problem or issue, so we see the O’Briens more on the outs than the ins.

And while, at first, Julian and Miles seem at first to be as different as oranges and eggs, over the years, though the banter stays, their closeness grows stronger and stronger. In the end, we can see that they are more alike then they are different, both of them caretakers first, yet fighters, too, when necessary. Each of them willing to fight for something that they believe in, two friends who can stand back to back against the any enemy. I love Bashir and O’Brien for the same reasons that I love most of my fic couples — they tease and fight and stubbornly refuse to admit how much they care while showing their affection by their actions. They have a solid friendship with sparks of possibility. They can trust each other and lean on each other.

B. Subtext:

As you might imagine, seven years gives these guys quite a bit of subtext (and some actual text) to sift through. Because of the volume involved, I’m just going to point out some of the more obvious examples from each season.

Storyteller, a first season episode, is the first time that we get to have Bashir and O’Brien thrown alone together. While O’Brien tries to weasel out of it, Julian is thrilled (I wonder if Julian actually requested that Miles take him, it seems to play that way). Julian is, after all, very honest and open about liking Miles. He likes him from the first episode and goes right on liking him until the last episode.

Julian is so… almost desperate for affection at places in this episode. He asks Miles if he annoys him. In this episode, Julian asks Miles to call him Julian, because he’d ‘simply prefer it’ if Miles would call him by his first name. At the end of the episode, he relents, seeing that Miles isn’t comfortable with it (yet). Julian acts near starved for attention, especially first season, possibly because he feels that he can’t trust any attention that he does get, because it isn’t for the real him. The real him wasn’t good enough. And even now, he’s constantly afraid that even this ‘better’ him isn’t good enough.

Even apart from that, he’s just so fascinated by people within people — he wants to know all about Dax, not just Jadzia. He’s curious about ‘plain, simple’ Garak, the spy-tailor.

And Miles O’Brien, who appears to be ‘just’ an engineer, was also the ‘hero of Setlik III’. He wants to know all about them (as opposed to the women that he dates, wherein he’s all about telling them about him).

 

At the beginning of the episode:
Bashir: “I’m really looking forward to this mission.”
O’Brien: “And why is that?”
Bashir: “Well, I see it as a wonderful opportunity for us to get to know each other.”

On the subject of Bashir’s annoyingness:
Bashir: “The only reason I’m asking is because your opinion means a lot to me and I’m aware I have a tendency to run off at the mouth sometimes.”

In Armageddon Game, in the second season, Julian and Miles are thrown alone together by an ‘accident’. They spend most of the episode with just each other’s company and Julian saves O’Brien’s life. We also see the continuation of Julian sharing his life with Miles when he tells the story of the ballerina Palis, whom he almost chose over Starfleet.

Bashir:From near the end of the episode:

 ”I want you to know, I really appreciated what you said back on T’Lani Three.”
O’Brien: “What did I say?”
Bashir: “That it was an honor serving with me.”
O’Brien: “Oh… right.”
Bashir: “I’d like to return the compliment, Chief — it’s been an honor to serve with you, too.”