DS9 Stories/News: The Blasian Narrative, Doctor Julian Bashir

Source: http://blasiannarrative.blogspot.com/2011/09/star-trek-doctor-julian-bashir.html

Let’s go back to DS9 for a moment, shall we?

Sudanese-born, England-raised Siddig el Fadil portrayed the boyishly handsome, genetically enhanced, yet socially naive, British-accented Doctor Julian Bashir.  By about the fourth season, the actor felt forced to change to a stage name, “Alexander Siddig”, because people were having trouble pronouncing the five syllables in “Siddig el Fadil.”

Keep in mind, the man’s full name is Siddig el Tahir el Fadil el Siddig Abderrahman Mohammed Ahmed Abdel Karim el Mahdi…and people were bitching about “Siddig el Fadil”?

*exasperated sigh*

So anyways…there’s that right there to begin with.

Pros:

1) Julian Bashir is an example of what I call “using an actor as the message, not the writing.”  In other words, the writers didn’t cast Fadil and then put words in his mouth to send a message.  His casual, series-regular presence is the message.  You can cast an Asian man to simply play a character.  His being Asian doesn’t have to be the point of the character (unlike with Sulu in the 1960s).

2) Siddig el Fadil was gorgeous; as a young girl, I primarily watched DS9 just to see him (the show so deep it went over my head at the time).  So not only was the Asian actor just playing a regular guy (hear tell, ’tis an Asian actor’s fondest wish in the West), but he was hot, and obviously meant to be a delectable piece of eye candy.  And the British accent totally helped.

3) Dr. Julian Bashir was just that, a doctor, and a damn brilliant one at that.  But we also got to know his hobbies – springball, tennis, darts, battle reenactments in the holodeck, spy stories and debating the merits of literature.

4) DS9 introduced the organization Section 31, the baddest, shrewdest, rogue organization in the Alpha Quadrant, reportedly designed to protect the interests of the Federation by any means necessary.  They put the Cardassian Obsidian Order and the Romulan Tal Shiar both to shame…and they recruited Julian Bashir for covert missions.  This is important because while his coworkers viewed him as a youthful, naive, sometimes annoying young man, Section 31 recognized what the audience eventually recognized: Bashir had a keenly analytical, shrewdly suspicious mind with an impeccable attention to detail.  In short, he was the perfect operative.

5) Bashir was most definitely sexual; we saw him numerous times with very beautiful women, ranging from fellow Starfleet officers to sexy Dabo girls.  The show even ended with his being in a long-term, committed relationship (Sulu and Ensign Kim never got that).  Made sense; a man that fine and in his prime wasn’t going to stay single for long.

6) One of the celebrated themes of DS9 was bromance, and we saw Bashir involved in at least two bromantic relationships, which Fadil and his castmates played to hilarious perfection.

Cons:

1) Despite all its brilliance, DS9 often screwed up and primary example of that was revealing that Bashir was a genetically enhanced human being, and that he owed his phenomenal intelligence and exceptional hand-eye coordination to genetic tampering.  It was also revealed that he was basically mentally impaired as a child, and when his parents simply refused to accept him as he was, they broke the law and basically had him rebuilt.  They then re-enrolled him in a new school with falsified records.

Actor Fadil was surprised with this information years into the show; it literally just popped up in the script one day, not having been an original part of his characterization.  It was a pointless subplot which, in a way, took something from Bashir.  It made him extra annoying in a non-cute way, and portrayed his family in an unnecessary bad light (they claimed they did it for his own good, not theirs).  At the subconscious level, it also seemed to tap into the notion that Asian students are basically drones whose academic dedication is unnatural.

At the same time, it was sort of amusing at to think Bashir had politely “dumbed” himself down for years, and passed amongst people as “normal.”

2) Bashir was often described as “annoying” by the other characters, and the older I get, the more I see why.  But I feel there is writing in conflict on the matter; while he’s supposed to be young and naive and eager to please, there’s also this very grave, mature, classiness which Fadil exudes that I feel defines the real Julian Bashir.  One who witnesses much pain and suffering, whose entire career is based on alleviated suffering, and whose compassion is utterly and consistently outstanding, cannot also be naive.  That’s contradictory and self-defeating.  If you’re witnessing births, deaths, and maintaining confidentiality for so many different people, you can’t be too clueless about the universe.

3) Bashir was irritatingly arrogant about his abilities sometimes, which I also feel is contradictory writing, because at times it seemed he was willing to put lives at risk or prolong suffering…simply to prove he could be the one to save them.  No…no, no.  The writers really needed to pick one.  And if they need flaws to balance out his virtues, arrogance was a really poor choice.

Final Verdict:

DS9 was, IMHO, the best of the all Trek series, so I don’t have too many complaints about this character.  One of the things Fadil said he really liked about his role was that people were so fascinated with his character – personality, how he was written, etc. – that they didn’t focus obsessively on his ethnicity.  When people told him or when he read rave reviews about the show, no one ever said how much “they liked that Indian doctor” – they just said they liked the doctor and were in awe of how he was written and portrayed.  This is, I think, a testament to the often excellent writing on that show, and the convincing work on Fadil’s part.

DS9 Stories/News: So You Want To Watch Star Trek: DS9? – Season 4

Source: http://directgeek.com/2012/01/so-you-want-to-watch-star-trek-ds9-season-4/

Previously: A primer on the series, season 1, season 2, and season 3.

Every season will now come with a “don’t listen to me, just watch it all” disclaimer. These are my personal favorites among a season of favorites.  Seriously, by the time we get to season 7 the whole post is just going to be a video of me sobbing and hugging myself.

never forget

And pressing my cheek to this image lovingly.

4×01-2: Way of the Warrior parts 1&2:

These episodes are killer. The tone and drive of the back half of the series sharpens to a knife-point. We learn so much in these episodes, we see so much set up, so much is twisted and turned around.

We learn that “sand peas” are almost definitely watermelon Jelly Bellies. We learn that the spots do go all the way down. That Garak doesn’t bother to fold his tucked napkin when having lunch with Odo. (Perhaps the whole torture thing means those social niceties are beneath them now?)

We learn that, if you have begrudgingly made your home among aliens, if you’re isolated and plodding on through bitterness and regret in a place besieged at every side, if your friends are your enemies, and your hardscrabble pride is your dearest enemy-friend, if you are drunk and afraid, then take heart. The only time you should really start to worry is the moment you begin to like the taste of root beer.

But, most importantly: Worf. Worf Worf Worf. Worf.

WORF

WOOOOOOORF.

4×03: The Visitor:

Do you enjoy weeping freely? Has it been too long since you’ve had a good, long, snotty, blotchy, call-everyone-you-love-at-an-inappropriate-hour cry? Well, here you go, buddy. Leave those embarrassing voicemails as the credits roll.

4×05: Rejoined:

Oh, and just go ahead and keep right on weeping. Just segue straight from tragic family story into tragic love story.

See, in addition to questionable psychiatric practices, the majority of Trill society believes it’s taboo-level improper for the new hosts of symbionts who once knew each other to “re-associate”. I’m gonna just translate that to “make out and be in love forever omg”. This is supposedly for the good of the symbiont so that it can have new and various experiences in its ages-long slug life.

Like many people would when confronted with the gorgeous new host of their ex-wife, Jadzia Dax calls bullshit on that.

Rejoined

Oh, does she ever.

And from this we get what’s arguably Star Trek’s most direct treatment of queer relationships. Some argue that the outcome of this episode precludes it from being pro-LGBT. For me, it only made the story hit closer to home. Trill’s taboo against re-association is as dehumanizing and insulting as any modern law that drives people in love apart, that bleeds into society and diminishes the character of any person enforcing or affirming that law. It isn’t Trek as utopia, but it is absolutely Trek as worthwhile and passionate social commentary.

4×06: Starship Down:

Like many geeks, I’m a person who loves stories about teams, about constructed families. Unlikely alliances and unexpected friendships that end up being so, so rewarding. This episode deals with that beautifully. Worf gets his in to begin really gelling with the crew, Jadzia and Julian laugh together at the expense of early-seasons-Julian, Quark makes friends with James Cromwell, and Kira and Sisko are the best.

Starship Down

Kira’s “holy crap I am friends with the Emissary” grin is also the best.

In addition to all these Feelings, this is just a really great spaceship episode in classic submarine storytelling style.

4×07: Little Green Men:

Little Green Men

Look at this.

Little Green Men2

Look at it.

Good, now go watch the episode.

4×10: Our Man Bashir:

It should be clear by now that I’m a woman of offbeat tastes. I’ve always wanted to meet a nice lady with a tapeworm so that I could date someone like Jadzia. I somehow found it in my heart to love early-seasons-Bashir. Bedazzled skintight jumpsuits, disproportionately long limbs, anime eyes and all. But do you want to know what really gets my engine revving?

Our Man

Oh. Hello, there.

Our Man again

O-o-oh. Oh, I see.

Our Man once again

Oh God, what are these feelings inside of me? What witchcraft are you working on me, Star Trek?

Our Man last time I swear

OMG now he’s bleeding he’s in a tuxedo and he’s bleeding this is the most amazing thing to ever happen to me in my life what do I do with my hands how do I go on living when this is over OMGOMGOMG

I’m told that some other things happen in this episode, but frankly I never noticed.

4×16: Bar Association:

Rom: labor union organizer.

4×20: Shattered Mirror:

Subtitle: Jake Sisko goes on the Best Vacation Ever! The trend of excellent space-therapy continues as Jake spends the weekend with the body-double of his dead mom. Captain Sisko isn’t entirely convinced of the wisdom of this.

Nothing wrong here.

Jake and dead mom double, however, are sure that nothing could possibly go wrong.

In other news, Regent Worf got the cream of the crop from the SPCA.

Perfection.

I’ve had this dream so many times.

There is some subtextual evidence in the dialogue that implies Regent Worf is not a leader of well-considered opinions:

GARAK: The Intendant was bad enough. She was irrational, accusatory, unappreciative. But at least…
WORF: At least what?
GARAK: At least I was able to please her now and then.
WORF: You are not my type.

Worf, how are you even in charge of anything ,what is wrong with you, ye gods.

4×22: For the Cause:

Up until this episode, my opinion of the Maquis was “pfft, boring, they’re humans”. But then this hits and it’s like whaaaat.

whaaaaaat

Kasidy’s Maquis??! Whaaaat.

And then you’re like okay, okay I can deal with that. The Sisko will persevere. Jake will add this onto the pile of mommy issues and move on. But then!

whaaaaaaaat

Whoa whoa wait but Odo totally liked you what whaaaaaaaaat.

The shit: it is real. Oh, and Garak goes on a date with a teenager. To be fair, she’s pretty great.

4×24: The Quickening:

come to quark's, quark's is fun, come to quark's, don't walk, run!

I have had this song stuck in my head since 1996.

This is the episode where I can begin to feel okay about liking Doctor Bashir in all his colonialist glory.  In an apt follow-up to Eddington’s Federation-as-homogenization tirade, Bashir finds himself neck-deep in his beloved ~frontier medicine in a place we’ll call The Planet of the Lepers.

I get the impression that Julian Bashir’s internal monologue sounds a lot like the content of a long series of pulp novels with racy covers and titles like Doctor Bashir And The Girl With Five Breasts, or Doctor Bashir Investigates: Where Are My Socks?, and in this particular instance Doctor Bashir– Among the Lepers! The great thing about our little ball of Starfleet-spiffy sunshine, though, is that he’s not that guy anywhere outside the holosuites. He doesn’t get the girl, and for the moment he’s no master of espionage. Heck, he can’t even cure one measly planet full of lepers. No matter how much he’s sure that he can.

dead people

“My bad, lepers.”

There’s a wonderful moment in act four where Bashir comes face-to-face with his own recklessly optimistic arrogance. It’s beautiful stuff.

4×26: Broken Link:

My notes for this episode were just “Worf totally ruins a perfectly good plan to commit genocide.” I stand by that. Another note could be that it’s clear from this that the universe runs on a currency of charm, and Garak is a goddamn billionaire.

No, for real. Why is Garak even on this mission in the first place? There’s every reason to disallow it. But all it takes is Garak reminding Sisko how great he is. The scene goes like this:

recognize.

“Check it: I’m great.”

http://barneysvideoresume.com/

“Damn. He’s got a point.”

Season four ends with Garak in the clink, Odo in a meatbody, the Federation and Klingon Empire kinda-sorta tapdancing around open war, Emperor Gowron a suspected pudding-person, and the death of all Cardassia foretold by the Founders.

In the next post: Wacky Emissary hijinks! An episode about Keiko that’s actually fun! The spots go all the way down! Klingons, Klingons, Klingons! Even more genocide! Doctor Bashir becomes an unwilling expert in treating injuries associated with particularly rough interspecies sex!

the hair the hair the hair

Plus everything is beautiful and nothing hurts.

DS9 Stories/News: The Trill of It All…

Terry Farrell was a young, gorgeous and talented model-turned-actress when she landed the role of Jadzia Dax on Star Trek: Deep Space Nine. She made Jadzia her own for six years, imbuing the character with a warmth and lightheartedness that, frankly, the somber and often dark series needed. Farrell departed the space station after the sixth season, beaming directly over to the sitcom Becker. However, after Becker, Farrell seemed to vanish from the airwaves and the public eye altogether. Not to fear, though; Farrell is alive and well, a happy wife and mom living in Pennsylvania, far from the pressures and temptations of Hollywood.

By StarTrek.com Staff

August 02, 2011

Source: http://www.startrek.com/article/the-trill-of-it-all-undefined-terry-farrell-interview-part-1

DS9 was already in production when you won the role of Jadzia Dax. What do you remember of that period when you auditioned, auditioned some more, met the Paramount brass, got the role, had costume fittings and makeup tests, then had to get on the set and start filming?

Farrell: Oh my God, I was a nervous wreck. I was really excited. After everything I had to do to get the role, I was then stunned when I got there and saw how big the set was. If I remember right, I was thinking, “This is enormous. This is the biggest set I’ve ever been on.” I’m talking about the OPS set, and it was so intimidating and overwhelming, and I was already so overtired from all of the makeup tests and all of the excitement. I was so skinny then. I wasn’t eating as healthy as I should have. I know I was smoking then, so that wasn’t good. But I felt like I was under an enormous amount of pressure. If I remember, pretty much everything else had been shot and we had to shoot my stuff because I was the last person hired. Then they changed my makeup. I guess I had a forehead and they didn’t like how that looked. So Michael Westmore came up with the spots and took out the forehead. So we had to re-shoot. And, you know what, I’m just not a good sleep-deprived person. Seriously, when we had our first Christmas break, I don’t think I did anything for those two weeks. I just turned the TV on and I don’t remember doing anything but staring at the television set. It was awesome. I learned so much. But it was really like being thrown in the trenches. I wish I could go back and do it again now. Knowing what I know now, I think I’m far better prepared to play Dax, just as a woman, as a human being on the planet, being 47 years old. I think I’d do a far better job of playing Dax right now.

Once you settled in, how easily did you slip into Jadzia and what intrigued you most about the character?

Farrell: I think what interested me most was trying to find her strength. She wasn’t defensive at all; she was always calm and relaxed and confident. She had a peaceful, mature way about her. I think that’s what I held on to. I don’t think I really attained that for myself, without being Dax, until I had a child. But I think that playing her was actually my anchor to feeling safe in the world at that time. Playing Dax made me feel like I was secure and I was safe.

DS9 was so dark, but Jadzia was so hopeful and positive – without being in anyone’s face about it. How important a role did you feel the character played within the context of the show?

Farrell: Avery (Brooks) used to always tell me that I was too open and, honestly, I think that’s just a part of who I am. I think that’s part of what I bring to the picture. I have a lot of energy. It’s hard for me to hone it in and relax and be stabilized. So I think that constant energy flowing through her was just being optimistic. I played Mimi in Mimi & Me, and it was really off the wall. That’s just how I channeled me being Terry. I think that’s my personality coming through.

Now flip that. How important was it to you as an actor to have those moments on DS9 where we saw a more serious side of Jadzia? You had many episodes that involved darker moments, among them the Mirror Universe shows.

Farrell: Those I wish I could do again, the Mirror Universe episodes, because I didn’t quite trust that I was going to be OK. There was one show in particular (“You Are Cordially Invited”), which David Livingston directed. Worf (Michael Dorn) and Jadzia got married. David was really supportive and Michael and I and David all really worked together, and it was one of those magical shows to work on. Then we had the episode (“Change of Heart”) where Worf and I went on a trip and I almost died, and Worf had to make this decision whether to stay back and save me or go ahead with the mission. That was another one where I felt like we were all very connected. Those are a couple that stand out in this moment, talking to you. But a lot of them, especially in the first couple of years, I felt like I was a fish out of water. I didn’t feel comfortable. I was trying to figure out how this was working for me. I was still getting caught up in memorizing all my dialogue. I think it took a couple of years for me to feel like I was immersed in it and comfortable.

How did you and Michael Dorn react when the producers came to you and said, “We’re going to pair up Jadzia and Worf?”

Farrell: Oh, we’d thought we were so clever flirting with each so we’d have more stuff to do together, just because we were friends. Ha! You’d think they had that planned the whole time because it all just went so easily. And I loved it because Michael and I were such good friends. We could just hit heads and really talk things out. At the time it could be really irritating because we were so tired all the time. But taking that out of the equation, I learned so much from working with Michael, as a person and as a performer. He’s a very good friend. My husband reminds me of him in that they don’t say that “Enough is enough.” They’re just constantly picking at stuff. It’s like, “Enough already!” But it’s that need to make it perfect.

You left DS9 after season six, before the end of the run. You went straight on to Becker, which you did for several years. Do you ever regret the decision to leave DS9? Was it the right choice for you, then and now?

Farrell: My contract had ended, so I didn’t feel like I left the show. I felt like my contract had ended and there wasn’t a negotiation (for another year). So I didn’t feel like there was anything for me to do, if there was nothing for us to talk about, other than let my contract expire. Yes, I thought it was the right thing to do. It was ironic that Becker let me go, but I think, as a person, I was really fortunate to have the experience of working on a half-hour show as well. That also took me a few years to get in the trenches and really wrap my brain around where I was at. The first year was terribly difficult because I was so used to being a hero. It’s very hard, then, to go be on a sitcom where your character is so neurotic and can’t get anything right. And I had no break in between. I died one day (on DS9) and the very next day I tested (for Becker) for the same executives at Paramount. So it was a lot. But it’s ironic that just when I felt like I was really hitting my stride with Becker, they let me go. I was like, “Ugggghhhh!” I thought that (next) season was going to be golden. Unfortunately, that hand didn’t play itself out the rest of the way.

A lot of fans were surprised that you didn’t return as Dax in some way, shape or form in the final season of DS9. How about you?

Farrell: Yes. Yes. I did not want to die. I would have been so happy if they just would have let me be a recurring (character) the final season, so I didn’t have to be in every episode. I was just really tired. I was tired of waking up at four in the morning. I was tired of all the minutiae. I’m sure a lot of the other actors feel this way, too. When you’re number five (on the call sheet), you’re waiting for that schedule to arrive and it becomes frustrating. You want to feel like you have your life again, and I’d definitely put my life on hold because I didn’t know how to balance a schedule constantly changing all the time. It was really hard for me.

After you left, did you watch DS9 at all?

Farrell: No. No, I didn’t. I didn’t because the person replacing me, I didn’t want to not like them or be jealous, because I knew I would be. I loved Dax. I didn’t not love playing the character. I didn’t not love the show. I didn’t not love the people. Just the routine of it all, I needed a break. I personally just needed a mental break and, unfortunately, I wasn’t mature enough to maybe present it in the way of saying, “Could I please be a recurring character?” I’m sure at that point, too, for Rick Berman and those people, it was all or nothing. They were angry because I wasn’t doing what they wanted me to do or expected me to do. So it was an unfortunate situation all the way around.

Are you at the stage now, though, where you can sit down with your son Max and watch episodes of the show?

Farrell: Yes. Well, see, now the hard thing is I’ll be watching a show where I’m with Worf (Michael Dorn) and I’ll be like, “Huuuuuuugghhhh! Do I kiss Michael in this episode? Do I kiss someone else?” My character wasn’t predictable enough for me to go, “Yeah, that’ll be an easy episode to get through with my seven-year-old!” But he has seen “Trials and Tribble-ations.” So that’s the one episode he’s seen so far. But he has my action figure. Dax plays with everyone – Sonic and Buzz Lightyear. Dax is always by their side, which is pretty cool.

What are you doing these days?

Farrell: I’m a registered yoga teacher with the Yoga Alliance. I have my 200 hours in and I teach at our local rec center. It’s twice a week and I have a nice little class. I started to garden again this year. And, of course, I’m a mom and a wife. That’s what I do.

Would you say that you’re officially retired from acting and, if so, why?

Farrell: Well, I guess I am officially retired from acting and I’d say that’s because my focus is on my family. I waited so long to put this family together. I came from a home where my mother had been married and divorced a couple of times and it was a really scary thing for me to commit. It took a long time for me to realize that I was the problem, that I was the runaway bride. When I finally met the right guy my life suddenly became very real, and I didn’t want to lose any of those amazing things I’d just gotten: the right guy, somebody who wanted to have a family with me. So, after living in Los Angeles for 21 years, I thought we’d probably have a better shot at having a healthy and strong marriage if we weren’t doing what we were doing, which was essentially waiting for whatever job to come along and letting your life sort of unfold like you’re gypsies. I didn’t want to do that. I didn’t want to do that to a marriage and I certainly didn’t want to bring a child into the world in that situation. That’s for me. That’s me. It’s too much for me to do everything. And I wanted to raise my son myself. I didn’t want to have to have a nanny. There are days now when I wish I’d had one, but I didn’t. Max still loves me, so it’s all good.

You still make the occasional Star Trek convention appearance, and you’ll be up there on the stage at Creation’s 45th Anniversary show next week. What do you still enjoy about doing the shows?

Farrell: Oh my gosh, I’m more relaxed than I’ve ever been. When I was doing them while doing the show I was always stressed out about time and learning lines and being sleep-deprived and lonely because I was single, and all those crazy things that happen when you’re single. Plus, I was usually racing back to L.A. to do the show. Now I can just enjoy it more. I’m still going back to my life, but I’m not rushing back. It’s not like I have a deadline or someone yelling at me about possibly missing a flight and being late (for work). I always felt like I was constantly trying to ride this precarious edge. And I just didn’t have the energy to do all of it. Now I can bring my family with me. Mommy can go to work and I feel like I don’t have to worry about anything. I can say hi to everyone and they enjoy the conventions, and I do, too. And at night I get to go hang out with my husband and son, my mom and dad, and it just feels more like life should be.

Who from the old Trek days are you still in touch with?

Farrell: I try, but it’s hard for me because I live so far away from everybody. I used to see Marina (Sirtis) all the time. Armin Shimerman’s wife, Kitty, and I would always talk about going for a run, and then we’d wind up going to breakfast instead. And I’d see Brent (Spiner) and Michael Dorn. But now I really don’t see them because I live so far away, which is another reason why I enjoy it when I do a convention. I get to see some of my friends. And I did get in touch with Whoopi (Goldberg) because of the No H8 Campaign. I got my picture taken for No H8, which supports the right to marry who you love. Whoopi and I were going to try to do a picture together. It didn’t work out, but it was great because it put me back in touch with her. I’d actually never worked with her on Star Trek, but we were connected through Hollywood Squares. I was on Becker (with Goldberg’s then-boyfriend, Ted Danson), which was on CBS, and Hollywood Squares was CBS, so it was fun to meet her like that.