DS9 Stories/News: DS9 Stories/ News: Odo & Kira Relationship Review (11)

  “The Abandoned”

Review originally printed in ORACLE

Newsletter July 2011

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Review written by Mary Shaver

The Jem’Hadar boy, now confined in a holding cell, is becoming more anxious and agitated with every passing minute. He begins hurling himself against the forcefield in desperate attempt to escape. On the other side of the forcefield, Bashir tells him his condition is the result of the enzyme that is missing from his system. The boy is belligerent and argumentative with Bashir until Odo arrives. Interesting that the boy denies to Bashir that there is anything wrong with him, but when Odo releases him from the holding cell and inquires about his health, the Jem’Hadar admits there is something wrong with him and catalogues his symptoms to Odo.

 

Bashir needs to run more tests to help him replicate the missing enzyme. The boy resists until Odo says he should agree. At once he becomes compliant and cooperative. Bashir leaves to retrieve the equipment he will need and Odo makes some friendly overtures to the boy. When he offers to show him around the station the Jem’Hadar defers to whatever Odo wishes. This isn’t what Odo wants – he wants to know the boy’s wishes and desires, and is somewhat startled when the boy jumps out of his chair, gets right in Odo’s face and announces that what he wants is to fight. Not Odo, but everyone else. He asks Odo if that is wrong and rather that criticize the boy’s choice, Odo suggests they find other interests. He then tries to get the Jem’Hadar to relax and even encourages him to smile – something Odo himself hardly ever does. Perhaps in this instance the Constable should take his own advice!

 

Chief O’Brien thinks he may have found a supply of the drug needed by the Jem’Hadar to replace the enzyme missing from his system. Odo joins him in the salvage ship to examine the container. O’Brien wonders aloud why the Founders would engineer the Jam’Hadar to be addicted. Odo’s explanation illustrates the stark difference between himself and his people. What better way to ensure total control over the Jem’Hadar, as well as guarantee their loyalty, than to addict them to a drug that can’t be replicated and that only the Founders can provide? Odo understands all too well what it is like to be controlled by others and now vehemently opposes the idea of exercising control over anybody (well, except perhaps Quark!). When O’Brien comments that it seems like a cold-blooded thing to do, Odo responds with a hint of sadness in his voice. “My people don’t have blood.” And this, perhaps is as good an explanation as any for why the Founders have no compunction about enslaving others. Is Odo wondering if the basic and fundamental differences between his people and the solids prevent his people from having any feelings of compassion for beings who are different from them?

 

The drug found in the salvage ship works and introduces into canon the vial of what will become known as Ketracel White, and the tygon feeder tube that delivers the drug into the Jem’Hadar’s carotid artery. Revived now and at full strength, the Jem’Hadar now poses a huge potential danger to the station’s inhabitants.  When the boy requests and then insists that he stay with Odo in his quarters, Odo is initially uncomfortable with the idea, and then sees the value in having the Jem’Hadar with him. Not only will it give him a chance to work with the boy and help him move beyond the limitations of his programming, but it will also assure a measure of safety to the DS9 personnel.

 

In Odo’s quarters, the Jem’Hadar is enthralled by Odo’s Changeling abilities. When Odo points out that some shapes are more difficult to master, like the humanoid face, the Jem’Hadar challenges him to explain why he would want to look like a humanoid since he (Odo) was better than them. Odo’s explanation that being different is not the same as being better confuses the boy who admits he instinctively knows that he is inferior to Odo, but superior to everyone else. Odo attempts to re-wire the boys ‘hard-wiring’ by telling that they are all equal and that he needs to ignore his instincts because they are wrong. Rather than accept Odo’s words however, the boy instead concludes that he must be defective because he also knows that Odo can never be wrong. Odo stubbornly persists, insisting that he is not infallible and urging the boy to begin to think for himself. Odo might be realizing that he’s in for an uphill battle, but he isn’t about to give up. He asks the boy what he wants, not what he thinks Odo wants. After a moment’s reflection, the Jem’Hadar says he wants to know more about his people – who he is and where he came from, something Odo can certainly relate to. Odo shares with the boy his own history of being orphaned, found and raised by aliens, and their common connection of not knowing who his people were or what they were like.

DS9 Stories/News: DS9 Stories/ News: Odo & Kira Relationship Review (9)

 ”The Abandoned”

Review originally printed in ORACLE

Newsletter July 2011

____________________________________

 

Review written by Mary Shaver

Odo’s explanation confirms Kira’s suspicions about the purpose of the objects. “I thought it was something like that. After all, you don’t need an entire set of quarters just to sit in your bucket.”

“I don’t use the bucket anymore,” Odo answers, shyly proud. This statement alone is a huge step for Odo. The bucket represents the smallness of the world Odo chose to live in. By discarding the bucket, Odo is throwing off many of his self-made shackles. He is no longer constricted – and no longer constricting himself. Odo has kept the bucket as a reminder of how he used to be, and it turns out to be the perfect receptacle for Kira’s gift of the houseplant. Kira gazes fondly at Odo as he repurposes his bucket. It is a touching moment, made even more poignant by the flashback scene from “What You Leave Behind” when Odo presents that bucket to Kira as a precursor to his leaving her for the Great Link.

           

 

In the Infirmary, the orphaned child has grown into an adolescent and a dangerous one at that. Escaping the confines of the Infirmary he threatens and intimidates the patrons on the Promenade, including felling Bashir with a single blow. Dax, who was with Bashir, realizes their patient is a young Jem’Hadar, and calls for security. Odo bolts out of his office to apprehend the disturber of the peace. He orders the Jem’Hadar to stop. Instead, he comes at Odo. As he prepares to attack, Odo liquefies his form and the Jem’Hadar flies right though him. As Odo resolidifies, the boy, rather than pressing the attack, bows down reverentially. Odo is surprised by this behavior, but determines that the Founders, who created the Jem’Hadar, have implanted in their genetic code a moral imperative to worship their creators. The Jem’Hadar that Odo and Kira battled on board the Defiant didn’t display this reverence for Odo. Perhaps it was Odo’s shifting shapes that triggered this Jem’Hadar’s submissive deference.

         

DS9 Stories/News: Deep Space Nine’s Autographed Pictures

Michael Dorn as the Klingon Worf, were a regular in all of The Next Generation, and joined Deep Space 9 in season 4.

Casey Biggs who played Damar in Deep Space 9 brought some pictures that Nana Visitor (Major Kira) had signed, and being a fan of her, I had to get me one of those!

Vaughn Armstrong, in all the roles he’ve played on Star Trek, so far it’ve been 14!! The most for a single actor.

Robert O’Reilly was the man behind the Klingon “Gowron” in Star Trek: The Next Generation, and Deep Space Nine.

Patrick Kilpatrick have had at least three different roles in both Star Trek: Voyager and Deep Space Nine.

Source: http://www.kennl.dk/pictures/Galileo7/Loot/loot.htm

Nana Visitor, the actor who portrayed Kira in Star Trek: Deep Space nine.

J. G. Hertzler is the Klingon Martok in Star Trek: Deep Space nine.

The Ferengi Family Hour, is a show preformed by three actors from Deep Space Nine, and a member of the staff (Lolita Fatjo).

Chase Masterson who played Leeta in Deep Space Nine. This is the cover from a CD she have released.

Mark Allen Shepherd plays the character Morn on Deep Space Nine.

The Auction

They had an auction where it was possible to bid on different items, from signed pictures of the whole cast of The Original Series, to a few props that had been used on the show, like Captain Janeway’s communicator (which was very expensive!). I managed to get two items on the auction, one was a autographed picture of J.G. Hertzler as the Klingon Martokin Deep Space Nine. Unfortunately it didn’t scan very well, so I can’t put it up here for you to look at.

The second item I acquired was a synopsis to the Deep Space Nine episode Shadowplay. It contains a two page description of the episode, and a sheet with three pictures from it as well. One of the pictures is signed by Cirroc Lofton, across the character he played on the show (Jake Sisko). Again you can click on the image to view a larger version.

Page one of the synopsis.

Page two of the synopsis.

Pictures from the episode.

This is the picture that was in the package with the synopsis to the Deep Space Nine episode Shadowplay, that I bought on the auction at the convention.

If you move the cursor over the three pictures, you can read a more detailed description about them. And notice that the top right photo is signed my the actor Cirroc Lofton.

DS9 Stories/News: Learning to Love Star Trek, Part 39: “A Man Alone”

Source: http://scifiblock.com/features/blog/learning-to-love-star-trek-part-39-a-man-alone.htm

By Robert Ring, Mon, 10/04/2010 – 21:31

“Learning to Love Star Trek” is a weekly blog series by Sci-Fi Block Editor in Chief Robert Ring, begun January 1, 2010. In this series of blog posts, Robert is endeavoring to determine whether he can make a Star Trek fan out of himself through an exposure to a combination of episodes from Star Trek the Original Series and Star Trek: The Next Generation (Update: TNG has now been replaced with Deep Space Nine) . Click here to read his introduction to the experiment.

I realized while watching “A Man Alone” that there’s something fundamental about Deep Space Nine that appeals to me. Sure, I like this series, and I’ve given reasons for that in my write-ups for the two episodes I’ve watched so far, but this one comes along and its plot does nothing special. It’s a murder mystery. However, it still had me more engaged than 90% of the Star Trek I’ve watched so far. I think the reason for this is that DS9 is so character-centric. The other series have great characters, for sure, but their stories have thus far seemed mostly to revolve around ideas (although TOS seems to be gradually moving in the direction of its characters now that I’m nearing the end of its first season). So, this episode did not have much of a great overarching impact, but the details here and there and the ideas brought up are both relatable and involving, because they are attached to the characters.

Odo is the focus here. An evil smuggler, named Ibudan, is on DS9, and Odo wants to kick him off, but Sisko won’t allow it, saying he hasn’t broken any laws. Soon Ibudan is murdered, and while Sisko claims he doesn’t believe Odo had anything to do with his death, he orders him off the case. In the meantime, word gets around about Odo’s conjectured involvement in the crime, and soon it seems everyone visiting the station has it out for him. Eventually, after Odo experience some persecution and a near beat-down at the hands of a mob, Julian Bashir solves the murder. It was actually Ibudan murdering a clone of himself so as to frame Odo. Hey, Odo told us this guy was mean.

See? This is why I like DS9 so much. The plot is just about as basic as you will find in an episode of a Star Trek series, but it’s what they do with the characters within the plot that makes it enjoyable. Primarily, it tests Odo’s judicial philosophy. When arguing that Ibudan should be kicked off the space station (because the guy truly has done some deplorable things), he touts the virtue of upholding justice over the law, saying, “Laws change, depending on who is making them. But justice is justice.” It reminds me of the faux super-conservative newspaper article at the end of Chapter X of Watchmen, where the writer asks, “[I]s it not more noble to follow the course of right and justice; to serve the spirit of the law rather than its every dot and comma?” Both Odo and this fake columnist have a point, but the problem, I believe, is that when you step outside the law, anything can happen. So, societies make laws and agree to adhere to them, almost as a compromise. We know they’re imperfect, and we try to adjust and fix them as we go along, but it’s the best way we have of assuring that everyone is treated fairly and equally.

Now, apply this to The Next Generation’s “Justice,” of course, and you get a different perspective on the matter. But I don’t have the time or energy to go there right now.

Odo gets to see the other side of his philosophy when the mob comes after him. As a clearly frightened Odo locks himself in his room, the others stand outside waiting for him until finally Sisko and DS9 security come to break them up. One individual in the mob uses the same term — justice — when Sisko asks what they are after. And justice truly is what they want, but their anger has blinded them to the dangers of a society in which justice is not arrived at through a previously agreed-upon system. I’m hoping that at some point in the season this experience will be shown to have become a part of Odo, an experience that has allowed him to view his own mindset from a different angle. Either way, though, for the time being we get a perfect thesis/antithesis scenario.


It’s the meditation ball game!

Jadzia Dax suddenly becomes extremely interesting in this episode. “She” is, of course, a Trill in a woman’s body, but at this point it seems the character is more fundamentally a sexless Trill than anything else, despite Jadzia’s physical body. It’s great how they set her up to be a former (male) friend of Sisko’s and also a current potential romantic interest of Bashir. This subplot really calls into question the concepts of friendship and romantic love as they relate to gender. Through both Sisko’s disinterest in Jadzia as an attractive female and Bashir’s interest in her despite her formerly inhabiting a male’s body, the very nature of the character suggests that romantic love in its most basic form should not be dependent upon gender. However, just as it is easy to see why Sisko has no desire for a romantic relationship with his old buddy in a woman’s body, it is also easy to see why Bashir’s knowledge of her gender temporality does not affect his attraction to her. So, maybe this is actually proof that romantic love is inherently and inevitably influenced by one’s physical characteristics — Bashir cannot ignore the woman’s attractiveness, and Sisko cannot ignore the fact that she used to be a guy. I suppose the question that remains is whether this predilection for attraction to a specific sex (and romantic revulsion from the other) is the result of society or biology (homosexuality, I should note, would be equally applicable to this question, as that, too, could be the result of the same societal or biological influences playing on different genetic/psychological make-ups).

A few more, miscellaneous thoughts on this episode:

  • When Odo is being chased by the mob, he looks way too scared as he keeps glancing behind him. Since he’s the station’s constable, I would have expected him to act a little more John Wayne about it all. Run for cover, sure, but don’t cower and keeping looking over your shoulder like an old lady.
  • When Odo explains to the Ferengi (I forget which one specifically) why he chooses not to enter into romantic relationships, he says, “There’re too many compromises,” with a pretty defensive tone. Then he goes into a surprisingly prolonged and detailed explanation of why these compromises are too much. Sounds to me like he’s had a bad personal experience with this.
  • The kids on Deep Space Nine, especially Sisko’s son, dress even dorkier than Wesley Crusher.
  • The facemask pull-off at the end of the episode is incredibly lame. Anything that reminds viewers specifically of Scooby Doo probably doesn’t belong in Star Trek.
  • Bashir looks and sounds a lot like a young Gaius Baltar. That amuses me.

I gotta wrap this one up, but I’ll end by restating that this episode demonstrates what I view as a superior style of storytelling over The Original Series and TNG. The plots almost – almost — don’t matter. It’s what we learn about the characters that is the most rewarding. Since the focus in this series is so much more heavily swayed to the characters and their personal dilemmas than to plot, we get, in my opinion, a vastly more engaging show.

DS9 Stories/News: Bajoran Women of DS9 (8)

Mika the pregnant Bajoran Woman in DS9 Episode “Covenant” Season 7

Played by Maureen Flannigan

“Kira also has another spiritual argument with Fala, who shows her the community they have built to show her she has nothing to fear. She sees Mika, the first to get permission to have a baby with her husband, Benyan. Fala explains that it is part of their covenant with Dukat to take vows of abstinence. Kira is skeptical”

“Mika soon goes into labor, but when her child is born, it is half-Cardassian. Dukat excitedly declares that the Pah-wraiths have sent them a sign. Mika’s face shows she clearly doesn’t believe this “miracle.” Kira doesn’t believe either, of course, but the rest of the congregation accept Dukat’s explanation.”

Courtesy of Memory Alpha.org

Maureen Osborne Flannagan (born December 30, 1973, in Inglewood, California), credited as Maureen Flannigan, is an American actress noted for her role as teenager Evie Ethel Garland TV sitcom Out of This World, which ran from 1987 to 1991 and also starred Donna Pescow. She began acting professionally in 1985.

She has made guest appearances on other television shows, including Highway to HeavenStar Trek: Deep Space NineERLaw & Order: Special Victims UnitStarvedClose to Home, Kindred: The Embraced and 90210.