DS9 Stories/News: Memorial Day-Players: A Tribute to TV’s Fallen Heroes

Source: http://www.ugo.com/tv/tv-fallen-heroes?page=4

Remember the honored dead this Memorial Day and celebrate the good old US of A with UGO’s list of some of TV’s Best Fallen Heroes!

Kevin Fitzpatrick By Kevin FitzpatrickMay 30, 2011

TV's Fallen Heroes

7

Jadzia Dax

Brave Soldier:  Jadzia Dax of Star Trek: Deep Space Nine

Killed in Action:  By Gul Dukat’s…Pah…Wraith…beam

Lots of great Star Trek deaths to choose from, between Tasha Yar and Christopher Pike (hey, that ain’t livin’) but none so heartbreaking as watching Jadzia Dax struck down by Gul Dukat while the rest of the crew fought off the Cardassians.

Wait, we can just replace her?  And the new Dax is even cuter?  Huzzah!

DS9 Stories/News: The Magic Of Star Trek Deep Space Nine: Ritual Magic and The Storyteller

Source: http://bajorron.blogspot.com/2012/02/magic-of-star-trek-deep-space-nine.html

The Sirah and the Dal’Rok:
Deep Space Nine’s First season episode The Storyteller is an interesting one for several reasons. Characterwise, this is the first episode which sows the seeds for Bashir and O’Brien’s future friendship. The main storyline happens on Bajor, but rather than showing us a Bajor under the guidance of the Prophets, it depicts a rural Bajoran village where perhaps older customs survive of what could be called a more Pagan past.
The storyline in brief: Bashir and O’Brien beam down to a village which is in trouble: it is under attack from a creature called a Dal’Rok and the only way to fight this entity is under the leadership of the Sirah, a Storyteller. Bashir and O’Brien witness an attack and the defense, upon which the Sirah collapses, but not after naming O’Brien as his successor. The next evening, the Dal’Rok returns and O’Brien sets out to fight it as he has seen the Sirah do it, but he fails in his attempt. Then Hovath, the young original apprentice Sirah takes over and succeeds in chasing off the entity and is thus appointed as the new Sirah, letting O’Brien off the hook.
The Sirah in action:
This story has a number of interesting Ritual Magic concepts weaven into it. For example: why does O’Brien fail? There are several reasons for that. Yes, he does not know the entire story, although that seems hardly necessary: all we see the Sirah and Hovath do is tell the villagers that they can defeat the creature. But in their cases, they speak with conviction and in magic as well as anywhere else, Words have Power proportional to the conviction with which they are spoken. Magic is not about ‘just speaking the right words and then something will happen, Harry Potter style’, it is about giving words as much power as possible, and that power comes from the conviction of the speaker and from his or her energy. We see O’Brien struggling to speak out the words while he himself barely believes it is going to do any good (nicely played by actor Colm Meany as well!). And his words dissipate into thin air, nothing happens, the magic does not come about and the Dal’Rok keeps attacking.
Incidentally, what is this Dal’Rok? We are informed that the tricorders do not register anything, yet we see something happening, and what is more, we see some attacks that are convincingly real. So what is going on here? My guess would be that we are dealing here with a thought form that has gained a more or less corporeal existence. Probably as a result of repeating this ritual over and over again for many years- a sure recipe to increase the power!- the image has gained so much energy that not only has it become visible to outsiders, it is also found to be interacting with the material environment. Our magical literature abounds with examples of the very same thing: elementals, golems, homunculi, etc. all “conjured” up by the imagination and subsequently energized to such an extent that it gets a “life of its own”.
Hovath (played by Lawrence Monoson)
Hovath (played by Lawrence Monoson):
The fight against the Dal’Rok indeed looks very much like a time-honored ritual, with certain fixed stagesin it, the use of certain words of power and with a more or less hierarchical structure: it is the Sirah and the Sirah only who leads this ritual and is able to direct the energy of the villagers into a concerted defense against the Dal’Rok. He is the High Priest in what looks suspiciously like a ritual to reinforce the village identity by defeating a common foe. In order to become Sirah, a candidate has to undergo a test: he (or she?) should be able to direct the ritual and direct the power single-handedly. Miles O’Brien clearly fails at this test: he does not have the necessary training, he does not have the faith and as an outsider he is also not connected to the village’s group mind. Hovath is and has all those things, so at the end we see him take charge of the ritual and bringing it to a good end, thus finalizing his own initiation as a Sirah. Which brings a final question to mind: what if the old Sirah had staged all this as an initiation ritual for his successor, with O’Brien as the unknowing catalyst? We’ll never know…

DS9 Stories/News: Learning to Love Star Trek, Part 47: “Dax”

Source: http://scifiblock.com/features/blog/learning-to-love-star-trek-part-47-dax.htm

By Robert Ring, Tue, 11/30/2010 – 08:08

“Learning to Love Star Trek” is a weekly blog series by Sci-Fi Block Editor in Chief Robert Ring, begun January 1, 2010. In this series of blog posts, Robert is endeavoring to determine whether he can make a Star Trek fan out of himself through an exposure to a combination of episodes from Star Trek the Original Series and Star Trek: The Next Generation (Update: TNG has now been replaced with Deep Space Nine). Click here to read his introduction to the experiment.

Okay, we’re back to the good with “Dax.” This isn’t a great episode, but it’s pretty interesting, and it’s a lot better than the three that come before it. “Dax” focuses on the two halves of Jadzia Dax — Jadzia the human and Dax the symbiont living inside of her. While it feels more like a disguised explanation of who/what Jadzia, Dax, and Jadzia Dax are than a story-based episode, “Dax” is engaging enough to satisfy.

“Dax” starts off with a group of Klaesrons attempting to abduct Dax. The Deep Space Nine crew pulls them back in via tractor beam just in time, though, and we learn that they are not actually kidnapping her. They are taking her into their custody to be tried and executed for the murder of a war hero. It’s not Jadzia who did it, though; it’s the symbiont’s former host, Curzon. Sisko, who was close friends with Curzon Dax, naturally does not want to let her go. So, they have an informal trial on DS9. At the center of the trial is the attempt to determine who Jadzia Dax is. Is she purely Jadzia, playing host to a passive life form? Obviously not. Is she Dax, exercising complete control over the host, Jadzia? Maybe. Or is she a combination of the two, a new entity comprised of the minds of both individual organisms. Ding ding ding!

All the episode has going for it, really, is this search for the true identity of Jadzia Dax. If she’s Dax, the logic goes, she needs to go with the Klaesrons and be punished for her crimes. If she’s not only Dax, or if she’s a new combination of both minds, either half or all of her is innocent of the crime and thus doesn’t deserve to be punished. There’s a lot of back-and-forth between Sisko, who is essentially defending Jadzia, and Klaesron, who wants to arrest her. It is for the most part fun hearing them argue about who/what Jadzia is/isn’t, based on her current personality and the memories and traits she retains from the symbiont’s former hosts. It is this sort of questioning that ultimately leads us to ask what makes anyone who they are, not just symbiotic amalgams. In the end, we discover that when a symbiont bonds with a new host, even though it retains all its older memories, it becomes a new entity, melding its mind with the host for the duration of their life together.


I’m just sayin’, I’m really glad human heads didn’t evolve this way.

What may be even more interesting than the identity questioning here is Sisko’s overall response to the matter. He basically makes it clear that he wants to keep Jadzia from being arrested no matter what. Even if past legal cases of the same nature offer the precedent that current host/symbiont entities should be held responsible for a symbiont’s past actions, Sisko says that he has to figure out a way for her to be deemed innocent. Does Sisko’s loyalty to his friends outweigh his obligation to uphold justice? I don’t know yet, but the question hadn’t crossed my mind until this episode.

I’m disappointed in the way the episode ends, however. After all the debating, testifying, and expert opinion, we find out that Curzon Dax was never responsible for the crime in the first place. This was Deep Space Nine’s chance to allow its characters to come to a possibly controversial decision regarding the nature of symbiont/host identity, but they squeezed their way out of it. The worst part is that I’m not even sure why. The conclusion that everyone except the Klaestrons was definitely leaning toward would have meant that Jadzia Dax shouldn’t be held responsible for the events, so whatever the consequences, they would have been minor. By allowing Curzon Dax to have been innocent, though, the episode avoids carrying any moral consequence at all. Just to be safe next time, the Federation should probably come up with some laws regarding these things. I wonder why they hadn’t already.

So, an upswing in quality, but not an enormous upswing. “Dax” primarily works as a way to tell everyone just what and who Jadzia Dax is. It has some aesthetic merits, but it’s mainly exposition. I can deal with that. It’s nothing I’d probably care to go back and watch again, though.

DS9 Stories/ News: Odo & Kira Relationship Review (6)

“The Search Parts 1 & 2″

Review Originally printed in ORACLE

Newsletter July 2010

  ______________________________________

Review written by Mary Shaver

The Odo/Kira Link (continued):

Watching “The Search” is such a joy for viewers who appreciated a Kira whose character was fully fleshed out. In this episode, she is the rich, textured character we love – passionate, intuitive, smart, supportive and capable. This is Kira before the writers took it into their heads to give us a dumbed-down version of Kira. This Kira was anything but the obtuse, oblivious Kira of Season 4. It’s even possible this Kira might have seen the little signs and mannerisms that Odo let slip about his feelings for her. She might very well have recognized Odo’s “love symptoms.” “The Search” shows Kira in all her glory as a woman who knows and understands her best friend, is instantly aware of his various moods, and intuitive to his needs. This Kira gives generously of herself with caring, compassion, and affection.

Series viewers are accustomed to seeing Odo in his familiar position: the wall at Kira’s back. Guarding and protecting her. “The Search” provides us with the opportunity to see their position reversed. From the moment they beam onto Odo’s home word, Kira assumes the role of the protector as she helps Odo through The seminal moment of his life. When they first encounter his people, Odo is understandably a little nervous and so falls back on what he knows best – how to conduct an investigation. He fires off question after question to the Female Shapeshifter in a manner that might be seen as an interrogation. Kira gently reminds him that this, in fact, is not a police investigation, then intercedes on his behalf, telling the Female Shapeshifter. “He really is happy to be here”.

When Odo falls into a trance in the aftermath of his first encounter with the Link, Kira, concerned for her friend, demands to know what’s been done to him and then helps him find his way back from his dazed state. Left alone in the Changeling garden for the first time, Kira senses Odo’s anxiety and tries to distract him by commenting on the beauty of the place. She is also intuitively aware that it is she, and not Odo, who is the outsider here. She can easily sense that she is the unwelcome guest.

A part of the conversation that follows also never made it onto the screen but serves to illustrate the genesis of what has been referred to as the “Battle for Odo’s soul”.

Again, from the running script:

FEMALE SHAPE-SHIFTER:

If our history has taught us anything it’s to avoid contact with Solids whenever possible.

KIRA:

Solids?

FEMALE SHAPE-SHIFTER:

Our name for the mono-forms like yourself, who’ll never know the joys of the great link.

DELETED PORTION Of SCENE

KIRA:

Well, Odo hasn’t been able to “avoid contact” with us and he hasn’t done too badly.

ODO:

I doubt Starfleet Command would agree with you, Major.

The Female Shape-Shifter is aware she’s discovered a source of tension between Odo and Kira.

FEMALE SHAPE-SHIFTER (to Odo):

Have you enjoyed living among the Solids?

ODO:

At times… though I never really felt at home with them.

FEMALE SHAPE-SHIFTER (smiling):

That’s because your home is with us.

(to Kira)

Unfortunately, I can’t say the same about you. We have no place for you here.

KIRA:

I don’t intend to be staying long.

It’s Kira that Odo goes to in his frustration and confusion over not understanding how to “become a thing”. Unable to help him, Kira does the instinctive thing. She goes to those who can help her friend. This is another wonderful scene that wound up on the cutting room floor. This picks up immediately after Odo disappears into the shuttlecraft to regenerate.

From the running script:

Kira stands before the lake of Shape-Shifters.

(calling out)

Hello? I need to talk to one of you…

(a beat)

Can anyone hear me?

We then hear a MORPH SOUND EFFECTS cue then- A NEW ANGEL to reveal the male Shape-Shifter standing behind her.

MALE SHAPE-SHIFTER:

We hear you Major. But please be brief. We find the humanoid shape to be… awkward.

KIRA:

I won’t keep you long. It’s about Odo. He needs your help.

MALE SHAPE-SHIFTER:

How would you have us help him?

KIRA:

By talking to him… telling him what he needs to know.

MALE SHAPE-SHIFTER:

In time all his questions will be answered.

KIRA:

And when will that be?

MALE SHAPE-SHIFTER:

When he’s ready to hear them.

KIRA:

And you’ll be the ones to decide that?

MALE SHAPE-SHIFTER:

Who better? After all, he’s one of us. We know him.

KIRA:

I “know him” too.

MALE SHAPE-SHIFTER:

Do you?

KIRA:

I’m his friend.

The Male Shape-Shifter steps close to Kira and when he speaks it is with a cold animosity.

MALE SHAPE-SHIFTER:

You’re a solid. All you have ever done is teach him how to be like you.

KIRA:

That’s not true.

MALE SHAPE-SHIFTER:

Isn’t it? If you really cared about your friend you’d stop interfering and let us do what’s best for him.

(a beat)

It’s time you went home, Major. Odo no longer requires your presence here.

This exchange is marked once again by ambiguity regarding Odo. It also reveals that the Changelings consider Kira to be a significant threat to them. They must break the Link between Odo and Kira if they hope to bring Odo into their Link. The words of the Changelings are clearly intended to drive a wedge between them, so that Kira will leave.