DS9 Stories/News: DS9 Stories/ News: Odo & Kira Relationship Review (8)

 

“The Abandoned”

Review originally printed in ORACLE

Newsletter July 2011

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Review written by Mary Shaver

ODO:

 

Is that all you can think about?

Killing?  Isn’t there anything else

that you care about?

 

JEM’HADAR TEENAGER:

 

I… I don’t think so.

 

ODO:

 

But there’s so much more to life

than that… there’s so much for you

to discover… to experience…

 

EPISODE OVERVIEW:

 

Odo learns that not everyone can expand beyond the limitations of their natures.

 

EPISODE SUMMARY:

 

An abandoned baby, discovered in some cargo salvage, turns out to be a Jem’Hadar whose genetic engineering accelerates his growth.  Within a day he is an adolescent and Odo agrees to take the teenager under his wing in an effort to help the youngster grow beyond his warrior nature.  

 

EPISODE ANALYSIS:

 

 

Quark purchases some salvage from a Boslian trader and is surprised to discover a baby of unknown origin hidden in the wreckage. Bashir’s examination of the baby turns up a number of unusual readings, most significantly that the child has an abnormally high metabolic rate. Within hours the baby has grown into a child of 8 or 10 years. Not only is this mysterious child growing at an alarming rate; he also seems to have remarkable cognitive abilities. Without any external stimuli, he has learned language, speech and  has the capacity for reasoning and understanding.  Bashir concludes that this child is the product of genetic engineering that is far advanced beyond anything seen in the Federation. To add to the mystery, the child is missing a key enzyme and without a synthetic substitute, he will die. A culture that is capable of this level of technology surely wouldn’t have overlooked something so basic; it must have been a deliberate omission. Bashir is stymied.

 

“The Abandoned” is the first Odo-centric episode since the devastating events of “The Search.”  Despite whatever internal conflicts he might be experiencing after finding his people and learning that they are the Founders of the Dominion, Odo is soldering on in the humanoid world. And while he finds no common ground with his people as to their philosophy of the universe, Odo did take away some positive things from his encounter with the Great Link, and is beginning to embrace his Changeling heritage.

 

While Dr. Bashir is searching to understand the anatomy of the orphaned child in the Infirmary, Odo, searching for a better understanding of himself, is beginning a journey of self-discovery. The first step in this journey is his decision to move out of the stifling little closet at the back of his Security office that has been his make-shift home since the days of Terek Nor, and take regular crew quarters.

 

We learn this as Kira arrives with a gift for his new quarters – a houseplant. Odo answers the door chime and very deliberately chooses to greet her outside his quarters in the corridor. Unabashedly interested about the configuration of his quarters, Kira at first peers over Odo’s shoulder, trying to get a peek inside the room, and when he closes and locks the door she confesses her curiosity  – and she apparently isn’t alone. According to her, “everyone” is curious to see his quarters. For a painful moment Odo seems to be reliving the sort of curiosity he used to excite while a lab specimen. Kira is blissfully ignorant that her words and actions have caused the Constable some consternation, but Odo quickly recovers and invites Kira in. She looks in wonder at the strange collection of items that populate the room and seem to be scattered everywhere. Somewhat apologetically, Odo explains that he hasn’t finished organizing everything. From his expression Odo appears to be looking for her approval. When he then goes on to clarify the purpose for the objects – to practice and explore his shapeshifting gifts – Odo is acknowledging the next step in his journey. Shapeshifting is no longer something he does simply as part of his job when the need calls for it. His reluctance until now to change shapes arguably has its roots in the things he was forced to do when confined to Mora’s lab and when he was taken out ‘on parade’ for the entertainment of the Cardassians. Meeting his people and learning at the feet of the Female Changeling has altered his thinking and now Odo is beginning to understand what it means to be a shapeshifter. He has discovered that the ability to mimic various shapes, forms, textures and surfaces can be a joyful and pleasurable experience. For a man who has seen so little joy in his life, this has to be something of an epiphany to Odo.

DS9 Stories/News: The Trill of It All…

Terry Farrell was a young, gorgeous and talented model-turned-actress when she landed the role of Jadzia Dax on Star Trek: Deep Space Nine. She made Jadzia her own for six years, imbuing the character with a warmth and lightheartedness that, frankly, the somber and often dark series needed. Farrell departed the space station after the sixth season, beaming directly over to the sitcom Becker. However, after Becker, Farrell seemed to vanish from the airwaves and the public eye altogether. Not to fear, though; Farrell is alive and well, a happy wife and mom living in Pennsylvania, far from the pressures and temptations of Hollywood.

By StarTrek.com Staff

August 02, 2011

Source: http://www.startrek.com/article/the-trill-of-it-all-undefined-terry-farrell-interview-part-1

DS9 was already in production when you won the role of Jadzia Dax. What do you remember of that period when you auditioned, auditioned some more, met the Paramount brass, got the role, had costume fittings and makeup tests, then had to get on the set and start filming?

Farrell: Oh my God, I was a nervous wreck. I was really excited. After everything I had to do to get the role, I was then stunned when I got there and saw how big the set was. If I remember right, I was thinking, “This is enormous. This is the biggest set I’ve ever been on.” I’m talking about the OPS set, and it was so intimidating and overwhelming, and I was already so overtired from all of the makeup tests and all of the excitement. I was so skinny then. I wasn’t eating as healthy as I should have. I know I was smoking then, so that wasn’t good. But I felt like I was under an enormous amount of pressure. If I remember, pretty much everything else had been shot and we had to shoot my stuff because I was the last person hired. Then they changed my makeup. I guess I had a forehead and they didn’t like how that looked. So Michael Westmore came up with the spots and took out the forehead. So we had to re-shoot. And, you know what, I’m just not a good sleep-deprived person. Seriously, when we had our first Christmas break, I don’t think I did anything for those two weeks. I just turned the TV on and I don’t remember doing anything but staring at the television set. It was awesome. I learned so much. But it was really like being thrown in the trenches. I wish I could go back and do it again now. Knowing what I know now, I think I’m far better prepared to play Dax, just as a woman, as a human being on the planet, being 47 years old. I think I’d do a far better job of playing Dax right now.

Once you settled in, how easily did you slip into Jadzia and what intrigued you most about the character?

Farrell: I think what interested me most was trying to find her strength. She wasn’t defensive at all; she was always calm and relaxed and confident. She had a peaceful, mature way about her. I think that’s what I held on to. I don’t think I really attained that for myself, without being Dax, until I had a child. But I think that playing her was actually my anchor to feeling safe in the world at that time. Playing Dax made me feel like I was secure and I was safe.

DS9 was so dark, but Jadzia was so hopeful and positive – without being in anyone’s face about it. How important a role did you feel the character played within the context of the show?

Farrell: Avery (Brooks) used to always tell me that I was too open and, honestly, I think that’s just a part of who I am. I think that’s part of what I bring to the picture. I have a lot of energy. It’s hard for me to hone it in and relax and be stabilized. So I think that constant energy flowing through her was just being optimistic. I played Mimi in Mimi & Me, and it was really off the wall. That’s just how I channeled me being Terry. I think that’s my personality coming through.

Now flip that. How important was it to you as an actor to have those moments on DS9 where we saw a more serious side of Jadzia? You had many episodes that involved darker moments, among them the Mirror Universe shows.

Farrell: Those I wish I could do again, the Mirror Universe episodes, because I didn’t quite trust that I was going to be OK. There was one show in particular (“You Are Cordially Invited”), which David Livingston directed. Worf (Michael Dorn) and Jadzia got married. David was really supportive and Michael and I and David all really worked together, and it was one of those magical shows to work on. Then we had the episode (“Change of Heart”) where Worf and I went on a trip and I almost died, and Worf had to make this decision whether to stay back and save me or go ahead with the mission. That was another one where I felt like we were all very connected. Those are a couple that stand out in this moment, talking to you. But a lot of them, especially in the first couple of years, I felt like I was a fish out of water. I didn’t feel comfortable. I was trying to figure out how this was working for me. I was still getting caught up in memorizing all my dialogue. I think it took a couple of years for me to feel like I was immersed in it and comfortable.

How did you and Michael Dorn react when the producers came to you and said, “We’re going to pair up Jadzia and Worf?”

Farrell: Oh, we’d thought we were so clever flirting with each so we’d have more stuff to do together, just because we were friends. Ha! You’d think they had that planned the whole time because it all just went so easily. And I loved it because Michael and I were such good friends. We could just hit heads and really talk things out. At the time it could be really irritating because we were so tired all the time. But taking that out of the equation, I learned so much from working with Michael, as a person and as a performer. He’s a very good friend. My husband reminds me of him in that they don’t say that “Enough is enough.” They’re just constantly picking at stuff. It’s like, “Enough already!” But it’s that need to make it perfect.

You left DS9 after season six, before the end of the run. You went straight on to Becker, which you did for several years. Do you ever regret the decision to leave DS9? Was it the right choice for you, then and now?

Farrell: My contract had ended, so I didn’t feel like I left the show. I felt like my contract had ended and there wasn’t a negotiation (for another year). So I didn’t feel like there was anything for me to do, if there was nothing for us to talk about, other than let my contract expire. Yes, I thought it was the right thing to do. It was ironic that Becker let me go, but I think, as a person, I was really fortunate to have the experience of working on a half-hour show as well. That also took me a few years to get in the trenches and really wrap my brain around where I was at. The first year was terribly difficult because I was so used to being a hero. It’s very hard, then, to go be on a sitcom where your character is so neurotic and can’t get anything right. And I had no break in between. I died one day (on DS9) and the very next day I tested (for Becker) for the same executives at Paramount. So it was a lot. But it’s ironic that just when I felt like I was really hitting my stride with Becker, they let me go. I was like, “Ugggghhhh!” I thought that (next) season was going to be golden. Unfortunately, that hand didn’t play itself out the rest of the way.

A lot of fans were surprised that you didn’t return as Dax in some way, shape or form in the final season of DS9. How about you?

Farrell: Yes. Yes. I did not want to die. I would have been so happy if they just would have let me be a recurring (character) the final season, so I didn’t have to be in every episode. I was just really tired. I was tired of waking up at four in the morning. I was tired of all the minutiae. I’m sure a lot of the other actors feel this way, too. When you’re number five (on the call sheet), you’re waiting for that schedule to arrive and it becomes frustrating. You want to feel like you have your life again, and I’d definitely put my life on hold because I didn’t know how to balance a schedule constantly changing all the time. It was really hard for me.

After you left, did you watch DS9 at all?

Farrell: No. No, I didn’t. I didn’t because the person replacing me, I didn’t want to not like them or be jealous, because I knew I would be. I loved Dax. I didn’t not love playing the character. I didn’t not love the show. I didn’t not love the people. Just the routine of it all, I needed a break. I personally just needed a mental break and, unfortunately, I wasn’t mature enough to maybe present it in the way of saying, “Could I please be a recurring character?” I’m sure at that point, too, for Rick Berman and those people, it was all or nothing. They were angry because I wasn’t doing what they wanted me to do or expected me to do. So it was an unfortunate situation all the way around.

Are you at the stage now, though, where you can sit down with your son Max and watch episodes of the show?

Farrell: Yes. Well, see, now the hard thing is I’ll be watching a show where I’m with Worf (Michael Dorn) and I’ll be like, “Huuuuuuugghhhh! Do I kiss Michael in this episode? Do I kiss someone else?” My character wasn’t predictable enough for me to go, “Yeah, that’ll be an easy episode to get through with my seven-year-old!” But he has seen “Trials and Tribble-ations.” So that’s the one episode he’s seen so far. But he has my action figure. Dax plays with everyone – Sonic and Buzz Lightyear. Dax is always by their side, which is pretty cool.

What are you doing these days?

Farrell: I’m a registered yoga teacher with the Yoga Alliance. I have my 200 hours in and I teach at our local rec center. It’s twice a week and I have a nice little class. I started to garden again this year. And, of course, I’m a mom and a wife. That’s what I do.

Would you say that you’re officially retired from acting and, if so, why?

Farrell: Well, I guess I am officially retired from acting and I’d say that’s because my focus is on my family. I waited so long to put this family together. I came from a home where my mother had been married and divorced a couple of times and it was a really scary thing for me to commit. It took a long time for me to realize that I was the problem, that I was the runaway bride. When I finally met the right guy my life suddenly became very real, and I didn’t want to lose any of those amazing things I’d just gotten: the right guy, somebody who wanted to have a family with me. So, after living in Los Angeles for 21 years, I thought we’d probably have a better shot at having a healthy and strong marriage if we weren’t doing what we were doing, which was essentially waiting for whatever job to come along and letting your life sort of unfold like you’re gypsies. I didn’t want to do that. I didn’t want to do that to a marriage and I certainly didn’t want to bring a child into the world in that situation. That’s for me. That’s me. It’s too much for me to do everything. And I wanted to raise my son myself. I didn’t want to have to have a nanny. There are days now when I wish I’d had one, but I didn’t. Max still loves me, so it’s all good.

You still make the occasional Star Trek convention appearance, and you’ll be up there on the stage at Creation’s 45th Anniversary show next week. What do you still enjoy about doing the shows?

Farrell: Oh my gosh, I’m more relaxed than I’ve ever been. When I was doing them while doing the show I was always stressed out about time and learning lines and being sleep-deprived and lonely because I was single, and all those crazy things that happen when you’re single. Plus, I was usually racing back to L.A. to do the show. Now I can just enjoy it more. I’m still going back to my life, but I’m not rushing back. It’s not like I have a deadline or someone yelling at me about possibly missing a flight and being late (for work). I always felt like I was constantly trying to ride this precarious edge. And I just didn’t have the energy to do all of it. Now I can bring my family with me. Mommy can go to work and I feel like I don’t have to worry about anything. I can say hi to everyone and they enjoy the conventions, and I do, too. And at night I get to go hang out with my husband and son, my mom and dad, and it just feels more like life should be.

Who from the old Trek days are you still in touch with?

Farrell: I try, but it’s hard for me because I live so far away from everybody. I used to see Marina (Sirtis) all the time. Armin Shimerman’s wife, Kitty, and I would always talk about going for a run, and then we’d wind up going to breakfast instead. And I’d see Brent (Spiner) and Michael Dorn. But now I really don’t see them because I live so far away, which is another reason why I enjoy it when I do a convention. I get to see some of my friends. And I did get in touch with Whoopi (Goldberg) because of the No H8 Campaign. I got my picture taken for No H8, which supports the right to marry who you love. Whoopi and I were going to try to do a picture together. It didn’t work out, but it was great because it put me back in touch with her. I’d actually never worked with her on Star Trek, but we were connected through Hollywood Squares. I was on Becker (with Goldberg’s then-boyfriend, Ted Danson), which was on CBS, and Hollywood Squares was CBS, so it was fun to meet her like that.